WarStar wrote: ↑03 Jan 2023
moalla wrote: ↑02 Jan 2023
I also using the ssl mixer more and more, it‘s quiet good, but for especial track eq filtering i use brainworx bx_digital v3 and RedRocks C1L1 for buss compression in the sends. Now i got HoRnets HA2A for drumcompression instead of discharged Re2a comp.
At the master it‘s a big pleasure with Millenias NSEQ-2 before the ssl comp, also biqceil are quiet impressive ass it was freebee, but 3x too cpu heavy.
Now i‘m still searching for a multiband comp for the master, still saw the lindell 354e for sale, but a comp2 with yoko band splitter and mc dsp compressors or softubes fet would be a nice thing, maybee therefore a rms comp iss the better thing?
As far as multiband compressor, the multiband in Ozone is top notch.. it's super easy UI and display is awesome.. and multi band Mid and Sides as well..!! put this on a full kit drum bus and you see what I mean..
Top notch sounds fine, but 200€ for Ozone Standard is antisocial expensive for a regular employees in this expensive wartimes. Now I just trialed HoRNets master tool (after 1.1.1 todays update stable in R12.5) and compared it with ozone 9 elements (has no multiband comp). In dynamic shaping for gritty signals master tool was the winner, ozone only brought up the loudness what results in a complete distorted output. I combined cockos reaxcomp-standalone wiith hornets master tool after it and now I´m impressed totally how good i can tame the dynamics of my electronic music, with millenias NSE2Q as last plug in the chain it feels like, now i´m capable in
SOUND DEMANGELING, how someone could name it like these
MasterTool 5,75€ (regular 23€) compared with 200€ for Ozone !?
Yeah i´m only a poor middleaged guy, living at smallest metropolis of this apple, where a big music fair used to take place
