I'm working on refining my ear and then my process/habits, etc.
This last week I've been listening to Beatclub during work and it's really helping to sharpen my ear, or at least raise my bar.
Observations
One commenter complained that he hardly ever gives feedback. His response is that the most valuable feedback you can get is an honest "hell yes", or "hell no" and that anything but "hell yeah," means "hell no" by implication.
It doesn't seem to just be about what is good, but also finding those who have managed to find that little extra difference to set themselves apart from others.
He's also commented on a lot of their beats lacking soul.
Reflections
After a few years of music making, I felt I wasn't really cut out for making popular music, though I did continue with it through work at a studio and collaborations (even got my stuff to play on BBC Oxford and some urban radio stations).
From early on I focused on my sound. I wanted to understand how to get the "big sound", what was really required (did I need a workstation keyboard?), while also trying to take my own journey through music.
I really enjoy making my own music regardless of whether others get it. But man. I'd love to get a "hell yes".
Can I get a hell yes by focusing on my own internal sound?
Some thoughts and questions
Why do some seemingly good songs get rejected? Is he being too harsh at times?
Could a hit song of yesteryear have gotten a hell yes if this was the first time it was ever heard?
Do you have a good sense of what will be liked or rejected?
Where do you feel your music fits? And your craftpersonship?