(warped out bass & breaks)
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Always good to constantly look at things in a different way - if you are up for the challenge that is.
Made with the RRP in Ableton, recorded with live modulation from Reason standalone (Pistons and PSQ1684 - what a beastly combination...).
Thanks.
Second instalment
Last edited by Sterioevo on 11 Aug 2021, edited 1 time in total.
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Madness! Great job!
This is really cool. brilliant use of the vocal and reason re's. I have never heard of piston but own psq1684. However I havent used it in ages as didnt really learn how to use it properly (time to rectify that).
gave you a like on soundcloud as it is really unique and refreshing.
gave you a like on soundcloud as it is really unique and refreshing.
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- Posts: 3756
- Joined: 20 Oct 2017
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Nice! I like it.
Cheers thanks again for the comments. There a some new methods and approaches unravelling that will hopefully result in increased productivity
I am using PSQ to limit the amount of midi modulation data being sent from Pistons, done via the Pulse CV input.
I have 4 x Pistons sending to 8 different cc's each via EMI's, in total I am modulating 352 macro targets (22 x 16) simultaneously. This can cripple Ableton very quickly and I use the PSQ to reduce the number of messages sent to divisions (e.g. 16th's or a bar) - working basically a sample & hold function.
I am using PSQ to limit the amount of midi modulation data being sent from Pistons, done via the Pulse CV input.
I have 4 x Pistons sending to 8 different cc's each via EMI's, in total I am modulating 352 macro targets (22 x 16) simultaneously. This can cripple Ableton very quickly and I use the PSQ to reduce the number of messages sent to divisions (e.g. 16th's or a bar) - working basically a sample & hold function.
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