The process is basically the same as for getting note information out.
It requires Max for Live to expose the midi controllers for use in Ableton, it is also possible to send cc's externally.
I have always found the automation drawing tools in Ableton effective - which includes a range of basic shapes with bezier curving. It is possible to record lfo automation and then tweak as required. You can also modulate (linked or unlinked looped lengths) on top of automation for non-destructive variations. This can be recorded into the arrangement or clips in session view. Perhaps I don't completely understand the issue?
Oh nice, you have any tuts for how to record cv into Live? Mapped knobs lose the ability to have automation drawn in. I guess the workaround I am looking for would be to create a bounced cv signal that i can tweak in arrangement.Sterioevo wrote: ↑24 Mar 2021I have always found the automation drawing tools in Ableton effective - which includes a range of basic shapes with bezier curving. It is possible to record lfo automation and then tweak as required. You can also modulate (linked or unlinked looped lengths) on top of automation for non-destructive variations. This can be recorded into the arrangement or clips in session view. Perhaps I don't completely understand the issue?
to modulate ableton sources yes. This is what you should use to get cv from the reason rack plugin into live. check the vids above too.
You are correctPhillipOrdonez wrote: ↑24 Mar 2021Live suite includes Max for live. I dont think standard does but I might be mistaken.
Here is a basic recording of CV into the arrangement view. The setup is similar to the video previously in this thread. When you right click on the assigned parameter it shows the automation lane with the red dashed line (the default value) changing, then it is a matter of activating record on the track and in the transport. You will need to deactivate the lfo source after recording as it overrides the automation in the lane. You then have access to all the usual editing tools.
You can still use CV as accessed on the back of the rack within a single instance of RRP. What you cannot do is interact outside of this instance of the RRP without m4l, beyond basic midi note information that is. So it is possible to send/record velocity (also gate/note) information out of the RRP without m4l.
Midi Notes are passed through the the Midi Out instrument - via the cv inputs, as part of a player stack or in a combinator. So whatever is fed to the Midi Out device will be passed on for use in Ableton, with velocity level and length part of the gate signal.Billy+ wrote: ↑24 Mar 2021So I use these devices to modify incoming midi and bounce out the modified data inside reason standalone
https://www.reasonstudios.com/shop/rack ... -modifier/
https://www.reasonstudios.com/shop/rack ... scillator/
A simple example would be to take ammo into cv1 on a combinator then program the combinator cv1 to modify the velocity value on utl.
Pick a nice LFO signal and time play with the lag phase and depth set the filter to a single note that's triggering a hat sample in Kong and the results would give a less static hat pattern.
Nice this is a new skill for me to practice! Much appreciated!Sterioevo wrote: ↑24 Mar 2021Here is a basic recording of CV into the arrangement view. The setup is similar to the video previously in this thread. When you right click on the assigned parameter it shows the automation lane with the red dashed line (the default value) changing, then it is a matter of activating record on the track and in the transport. You will need to deactivate the lfo source after recording as it overrides the automation in the lane. You then have access to all the usual editing tools.
I will do another one up for session view when I get a chance as it is slightly different.
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