1. Algoritm's matrix is inspired by (or copied from) FM8's. If you were like me, then you immediately recognized that when you saw it.
2. FM8 has an arpeggiator with step sequencer functionality.
3. Like Algoritm, FM8 also has a filter. FM8 has a dual parallel/serial multimode filter. And there's visual feedback.
4. FM8 has 32 different waveforms.
5. FM8 has Unison.
6. FM8 has 12 effects.
7. You can morph between 4 different patches in FM8's Morph Grid.
8. FM8 has built-in visual scopes.
9. FM8 has a separate and special Operator called Operator X that features noise and wave shaping.
10. FM8 can import DX-family, DX7 and TX81z patches.
11. FM8 thinks you're smart enough to handle less-approachable envelopes. Hi Mattias.
12. There's a high resolution mode in FM8 which improves the sound quality at a cpu cost of course.
13. If you want to color the sound quality, FM8 has 2 quality modes: Analog and Digital. Analog introduces random variations in the voices (like analog synths) and Digital changes the bit resolution, so you can make FM8 sound like the 12-bit DX7 (and it goes lower than 12 if you want).
14. FM8 also has an "easy edit" mode, which is basically Algoritm. JK, it's actually more advanced than Algoritm.
Remember, FM8 is 14 years old. FOURTEEN. Algoritm was released 3 days ago.
In my opinion, Algoritm is a synth that is great for the audience it was designed for. It's definitely NOT a PX7 replacement because it only has ADSR envelopes and can't import DX7 patches. When I first tried it, I was definitely impressed by the Reason "rackness" of it, but that wore off as I spent more time with it. That's when I realized Algoritm was a bit too basic for me. Nothing wrong with basic of course, but I was looking forward to something bit more substantial, powerful, elaborate and just a little more MORE.
FM8 combines modern with digital vintage, and some would even say it does modern better. All of you who have maybe forgotten bout FM8 - it's time to give it another look because it is indeed very awesome, and it's probably the FM synth you're looking for.
But Algoritm is that as well. I like The design part - how you can add operators and route them freely + add efx - all in the same window. Don't need to go in any sub menus or anything like that - it's all there in the front panel. And the layout of the envelopes and the randomizer on all parts is wonderful. FM8 is another beast, but that's like coming on here and tell me that if I don't like something about Reason I should remember Ableton Live. Yeah... sure. I know about both platforms - use both - ain't going to change a lot for me. I will be using Algoritm a lot + continuing in using other FM synths. I also have hardware digital synths (like more people on here) - and it's the same. I will use them as well. I for one am impressed with Algoritm, it's a great work. Dedication in design, great presets to work around with. And the layout. Top work imo 
) is a different beast, and this is the first synth from Propellerheads that really REALLY catches my eye in a long time. So I might be getting it some time in the near future. Like, the synth, because their subscription plan is not for me. As for FM synths, they offer such flexibility and depth, you just can't have too many of them. Damn, you can build an entire complex project using only Ableton Operator if you like.
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