Tobtok wrote: ↑02 Nov 2020
Thanks a lot for the explanation! The way I would like to use the SSL is to easily apply it to any of my mixing channels in reason. For example I got a audio-track with a vocal on it and I want to run it through my SSL and then record it back with the applied FX. How would be the easiest way to set that up?
Similar to how I described it. Keeping it on 7/8 is still a good idea. The first question is where to "tap" the vocal for what you're wanting to do. I would personally consider using the Parallel Out on the vocal channel patched directly to the Hardware Interface 7/8. Then create a new channel/track for input 7/8 - also consider just using channel 7 since you don't need a stereo channel for a vocal. You'll probably want to monitor the vocal on Fusion, and again you have a few options depending on what other processing you're using and whether you want to monitor that processing as you work with Fusion.
One setup could be to take the Direct Output of the vocal channel so Fusion would be "post everything", as opposed to the "pre everything" approach using the Parallel Out jacks. You can also setup a hybrid processing order using the Channel Insert point - but in ALL cases you'll need to record the results via an Audio Track so you can then use Fusion for other channels, and as always document your Fusion settings in case you need to return to them at some point.
So the first questions are: what other processing is on your vocal, and where in the signal path do you want to add Fusion? The second would be more about workflow and how often you would be using Fusion, along with how often you would be re-visiting settings after recording to a new channel? For example, you may want to process the vocal "live" for as long as possible towards the end of the mix process, only "printing" it when you're done with the mix. This would of course depend on how much Fusion is contributing to the sound and how much you may need to make adjustments as the mix progresses.
We are so used to not committing to processing during the mix thanks to the DAW approach that it can take some getting used to "committing" to things too early in the process. OTOH, if you've ever worked on tape, you'll very likely be totally comfortable with committing to settings early and just making the work! Bottom line, the workflow will depend on your expectations and how you like to work, which may not be totally known until you get everything set up and try a few different scenarios! Hopefully I've described things clearly, if not please don't hesitate to ask for clarification!
[EDIT - you would also set up the mixer so that send 8 feeds Fusion, that way you won't need to re-patch everything but you WILL need to be aware of other processing on the channel, for the situation where you may want to send only the "raw" audio to Fusion so it's the first process in the signal path - make sense?]