I don't know how come up with this stuff. I feel like a lot of your creations is more about the fascination with the sounds themselves rather than treating instruments like most people view them.
The yodeling bass line is pretty special. Cool background effects too.
(creepy/exprmtal) never calls no more
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- TritoneAddiction
- Competition Winner
- Posts: 4229
- Joined: 29 Aug 2015
- Location: Sweden
This is so weird... that's the metalcans wavetable, right? endlessly fascinating bit of audio. I really like the bass, it has a cool jazz/swing type feel
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Quixotic Sound Design: http://www.quixoticsounddesign.com
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- willy_dinglefinger
- Posts: 44
- Joined: 18 Jun 2020
- Location: Scotland
This is class, nice one muckmclane. It's really refreshing hearing something that can't easily be defined yet (more importantly) just sounds good to listen to.
Just before my daughter was born I was working on noise compositions in Reason. When I have time to get back to the projects, I'll try finish some and post here for feedback.
Just before my daughter was born I was working on noise compositions in Reason. When I have time to get back to the projects, I'll try finish some and post here for feedback.
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- muckmclane
- Posts: 139
- Joined: 28 Oct 2018
TritoneAddiction wrote: ↑12 Sep 2020I don't know how come up with this stuff. I feel like a lot of your creations is more about the fascination with the sounds themselves rather than treating instruments like most people view them.
The yodeling bass line is pretty special. Cool background effects too.
The way I started this one was based of the notion that: “the artist is always close to something interesting” mentality. Like Picasso doesn’t need a week to do something unique.
So simply loading up a Malstrom should result in something interesting quickly.
willy_dinglefinger wrote: ↑14 Sep 2020This is class, nice one muckmclane. It's really refreshing hearing something that can't easily be defined yet (more importantly) just sounds good to listen to.
Just before my daughter was born I was working on noise compositions in Reason. When I have time to get back to the projects, I'll try finish some and post here for feedback.
High five Borat. Is it too late to introduce your kid to noise?
I think it is safe to say there is a relatively low risk of her evolving into of those Milwaukee noise scene devotees.
Actually 90% of the song is Malstrom: Chime
The bass comes from Monotone, a device I never really gave a chance due to it’s simplicity.
- willy_dinglefinger
- Posts: 44
- Joined: 18 Jun 2020
- Location: Scotland
NEVAAARRR.
Low risk is no risk. And no risk is no fun.muckmclane wrote: ↑14 Sep 2020I think it is safe to say there is a relatively low risk of her evolving into of those Milwaukee noise scene devotees.
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- TheGodOfRainbows
- Posts: 640
- Joined: 31 Mar 2015
Yes. He is not bound to traditional compositional constraints like many of us are, which frees his mind to just paint with sounds. The result is a new kind of expression that I find inspiring. It really has got my mind thinking along those lines more and more.TritoneAddiction wrote: ↑12 Sep 2020I don't know how come up with this stuff. I feel like a lot of your creations is more about the fascination with the sounds themselves rather than treating instruments like most people view them.
My ears have been tickled by the gods
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