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Looks like a bug. I tried different other settings and routings like Modmatrix+Random and CV INput and routed to Position and nothing changed. It seems, no modulation is comming through. You should report this bug.ab459 wrote: ↑02 Feb 2020Folks do anyone can reproduce audible work of Random (position randomness) knob ?
Just it seems i can't reproduce difference in sound even at maximum value (or it has a very very subtle impact, i'm not sure).
Some tip maybe ? Any way to increase affect of this knob ?
I mean, if i adjusting the Position knob (in any of three models) i can hear quite significant changes even thru small position steps, so, do not should maximum Random knob value cover full range of Position? (And I assume it should occurs with every Note On event ?)
When I turn the Random knob with the mouse, I can here the (sometimes subtle) difference.Loque wrote: ↑02 Feb 2020Looks like a bug. I tried different other settings and routings like Modmatrix+Random and CV INput and routed to Position and nothing changed. It seems, no modulation is comming through. You should report this bug.ab459 wrote: ↑02 Feb 2020Folks do anyone can reproduce audible work of Random (position randomness) knob ?
Just it seems i can't reproduce difference in sound even at maximum value (or it has a very very subtle impact, i'm not sure).
Some tip maybe ? Any way to increase affect of this knob ?
I mean, if i adjusting the Position knob (in any of three models) i can hear quite significant changes even thru small position steps, so, do not should maximum Random knob value cover full range of Position? (And I assume it should occurs with every Note On event ?)
Using the words "little different" and "slightly more" in one sentence in the manual seems to me, that the actual behavior is in the intention of the developer.
Though.. i checked Position impact a bit better now, it seems yes, the reason of subtleness during Random in, so to speak, "point" position selection, while during adjusting Position manually (smoothly in wide range) here appears some very audible panorama\timbral movements.
Sorry, hadn't seen this comment before.ab459 wrote: ↑21 May 2020Just thinks out loud (or request maybe), related to audio in: would be good to add some adjustment for "masking" incoming signal. Well, i mean, in many cases, incoming signal is present a much along "physical" interesting result, or even covers it. Mainly it observed in first two (modal and inharmonic) algos, while in Freq Mod algo we actually hear only "transformed" result.
Maybe there is some way to got similar impact in first two algos?
Hmm, ok got it, thanks.buddard wrote: ↑14 Jun 2020Sorry, hadn't seen this comment before.ab459 wrote: ↑21 May 2020Just thinks out loud (or request maybe), related to audio in: would be good to add some adjustment for "masking" incoming signal. Well, i mean, in many cases, incoming signal is present a much along "physical" interesting result, or even covers it. Mainly it observed in first two (modal and inharmonic) algos, while in Freq Mod algo we actually hear only "transformed" result.
Maybe there is some way to got similar impact in first two algos?
There is no dry/wet blending in Resonans, what you hear coming out of the model is what it produces.
Both Inharmonic String and Modal Resonator works by transforming the incoming audio, whether it's the built-in noise source, a user sample, or the audio input.
Inharmonic String will run the audio through carefully tuned delay loops (Karplus-Strong synthesis) with some filters in the feedback loop.
Modal Resonator is an array of parallel bandpass filters whose filters are tuned in different configurations.
So depending on the settings and the characteristics of the incoming audio signal, the source will be more or less recognizable in the output.
The FM model is different from the other two, since it only uses the amplitude of the incoming audio, the sound itself is generated by an internal FM synthesizer.
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