normen wrote:8cros wrote:I can add that laudness, pushed me to use isotope often.
Not only on the master.
I do the gate G8 method on each track, by using the isotope. And I can see the difference.
I started doing less rigid compression.
Why do you only start to hear something when you read a meter? You should hear how good or bad your mix is without that.
All the good mastering engineers didn't push their masters to extremes because they didn't hear how it was bad for the audio quality, it was because their clients said they wanted it to sound as loud as X.
I think that the message has been edited.
Because I posted quite a different. There was a question of "Can I do a demonstration".
Now here's a question for the meter.
Answer. I can do differently, if you want. And not only in a certain way.
I do as I want.
Producers - losers. Whoever they are. Once dependent on the client. We hear the best, only artifacts.
Here are two tracks. 4 channel mixer.
All measured flower meters perceived mode (E.B.U. loudness). +- 1dB.
The first track using tape scream 4 on each channel to the level loudness gate = 8.
On the master tape screaming loudness gate = 8.
Export 24-192000 conversion to mp3 was made in adobe audition, normalization and re-export to allihoopa.
Here are all the data.
1.
Left Right
Peak Amplitude: -0,12 dB -0,14 dB
True Peak Amplitude: -0,09 dBTP -0,10 dBTP
Maximum Sample Value: 32324,61 32262,00
Minimum Sample Value: -32290,90 -31182,74
Possibly Clipped Samples: 0 0
Total RMS Amplitude: -9,46 dB -9,49 dB
Maximum RMS Amplitude: -4,75 dB -4,75 dB
Minimum RMS Amplitude: -18,59 dB -16,06 dB
Average RMS Amplitude: -9,84 dB -9,88 dB
DC Offset: -1,22 % -0,59 %
Measured Bit Depth: 32 32
Dynamic Range: 13,85 dB 11,30 dB
Dynamic Range Used: 9,40 dB 9,15 dB
Loudness: -7,86 dB -8,55 dB
Perceived Loudness: -5,87 dB -6,46 dB
ITU-R BS.1770-2 Loudness: -7,56 LUFS
0dB = FS Square Wave
Using RMS Window of 50,00 ms
Account for DC = true
2.
Left Right
Peak Amplitude: 0,26 dB 0,23 dB
True Peak Amplitude: 0,34 dBTP 0,34 dBTP
Maximum Sample Value: 33703,62 33558,79
Minimum Sample Value: -33779,43 -33654,66
Possibly Clipped Samples: 125 129
Total RMS Amplitude: -10,26 dB -10,30 dB
Maximum RMS Amplitude: -5,48 dB -5,35 dB
Minimum RMS Amplitude: -22,80 dB -21,10 dB
Average RMS Amplitude: -11,04 dB -11,08 dB
DC Offset: -0,03 % -0,05 %
Measured Bit Depth: 32 32
Dynamic Range: 17,32 dB 15,75 dB
Dynamic Range Used: 13,65 dB 13,00 dB
Loudness: -7,87 dB -7,93 dB
Perceived Loudness: -6,46 dB -6,30 dB
ITU-R BS.1770-2 Loudness: -7,89 LUFS
0dB = FS Square Wave
Using RMS Window of 50,00 ms
Account for DC = true
The second track. Just ozone to master. IRC 1 fast.
Which is better, screaming or ozone?
Scream has a bit of options 1 and 2.
And ozone is an artifact on the timing.
0: 0: 0: 330