FEATURES
Presets featuring settings from The Crystal Method, Mirrorball Entertainment, Julius Dobos, and Toby Pitman of Air Studios
Six distinctive bitcrushing algorithms (including a circuit-bent toy simulation!)
Four clippers: Hard Clip (digital), Soft Clip (analog emulation) and harmonically complex Wavefolding
Continuously variable Bias and Split controls progressively add DC signal to one or both phases of the input signal harmonically complex Wavefold or Overfold
Two waveshapers independently adjust the amplitude of—and optionally invert—positive and negative phase components of your signal
Sound-warping Shape control progressively squares off or pinches waveform peaks
Probabilistic and Sequential Waveset (internal step-sequencer) processing creates dynamic rhythmic patterns for the distorted signal with a simple twist of two knobs
Unfiltered Audio's flagship modulation system provides six freely assignable modulators (sine LFO, sawtooth/triangle LFO, square-wave LFO, input follower, sample-and-hold noise, and macro control knob) with drag-and-drop virtual patching to most of Dent's controls
Adjustable, analog-style Low Pass filter—with separate resonance control—can be placed pre- or post-distortion
Continuously variable SR control progressively degrades the sampling rate of processed signal by directly manipulating Dent’s internal DSP
Mix control provides parallel processing
Zoomed-in waveform display shows the shape of wave cycles after processing, guiding your control tweaks
Get crunchy analog-style tones like guitar pedal effects, or searing digital demolition like bitcrushing and sample rate reduction
Add attitude to vocals with input gain, square up bass tracks with the Shaper, obliterate samples with the Bits and Sample Rate reducers, and run it all through a screaming low-pass filter
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