Another piece inspired by 80's synthpop
Another tune where I had luck in convincing my dear son to participate with backup vocals, heard in the intro.
Any feedback, impressions most welcome!
I'm specially interested if the balance between vocals/music sounds good to you.
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* Soundbanks/refills for Reason by Bitley(bitley.laconicsounds.net). Details about the Bitley sounds used can be found in this post
* Jiggery Pokery's Steerpike Delay and Chenille Chorus to make anything shine
* Synapse GQ-7 EQ to cut and boost.
* Seligs Leveler for fixing vocal dynamics.
* Onyx Tube Limiter to tame the peaks.
* Ochenk's Carve to get things out of the way
* Adobe Audition for manual tinkering,
* Mastered through emastered.com
(80s vibe synthpop) Lack Of Luck
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Remember to begin your thread subject with a genre, ie.: (Hiphop) New instrumental
Remember to begin your thread subject with a genre, ie.: (Hiphop) New instrumental
Very well balanced! But lets not kid eachother; youve got an impressive amount of experience under the belt.
Good lyrics too. Food for thought.
I myself would either turn down the vox a notch or turn up the synths. But thats because i’m a sucker for that 80s synth sound. I love that saw bassline!
I like your songstructure. Not your regular intro-verse-chorus-verse-bridge-thing, but it seems more progressive to me.
Keep it up! Let your son do more vox. On to the next.
Good lyrics too. Food for thought.
I myself would either turn down the vox a notch or turn up the synths. But thats because i’m a sucker for that 80s synth sound. I love that saw bassline!
I like your songstructure. Not your regular intro-verse-chorus-verse-bridge-thing, but it seems more progressive to me.
Keep it up! Let your son do more vox. On to the next.
All my tracks on my YouTube channel https://youtube.com/playlist?list=PLK0j ... P0EoiuUkNO
Thanks for feedback and kind words!RTFX wrote: ↑02 Jan 2018Very well balanced! But lets not kid eachother; youve got an impressive amount of experience under the belt.
Good lyrics too. Food for thought.
I myself would either turn down the vox a notch or turn up the synths. But thats because i’m a sucker for that 80s synth sound. I love that saw bassline!
I like your songstructure. Not your regular intro-verse-chorus-verse-bridge-thing, but it seems more progressive to me.
Keep it up! Let your son do more vox. On to the next.
My son has a nice voice character, hope to get him to sing all vocals in a song before end of 2018
I listened again to this track. It's great. The rhythm of it really suits the way you sing.
I also had a listen to another track "Sunray". I really liked Sunray up to 2:24, but not so much the last half of the song that is a much more staccato sounding and quite busy.
Lack of Luck flows really well throughout I think.
Memories Of You is also great with a more traditional timing that works really well with your vocals.
They're all great tracks of course! And very nicely produced!
cheers
I also had a listen to another track "Sunray". I really liked Sunray up to 2:24, but not so much the last half of the song that is a much more staccato sounding and quite busy.
Lack of Luck flows really well throughout I think.
Memories Of You is also great with a more traditional timing that works really well with your vocals.
They're all great tracks of course! And very nicely produced!
cheers
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Wow, impressive. Driving forward all the way through. Nice voice too, and superb mixing!
Many thanks for feedback!raymondh wrote: ↑14 Apr 2018I listened again to this track. It's great. The rhythm of it really suits the way you sing.
I also had a listen to another track "Sunray". I really liked Sunray up to 2:24, but not so much the last half of the song that is a much more staccato sounding and quite busy.
Lack of Luck flows really well throughout I think.
Memories Of You is also great with a more traditional timing that works really well with your vocals.
They're all great tracks of course! And very nicely produced!
cheers
For Sunray my idea was to make the song shift direction. I've got negative feedback more than once about doing this in some other songs. I think there's a part of me who wants to make a Genesis song that moves in different directions.
I'll put Wind and Wuthering on my play queue to get inspiration how to make those shifts more smoothly
And the outro is quite busy indeed, my intention was to end the song while at highest intensity.
Basically I applied the as many bass notes as acceptable I could fit in the slots where the bass drum wasn't playing, and also added some distortion sharpness on the bass.
Many thanks for encouragementWongoTheSane wrote: ↑14 Apr 2018Wow, impressive. Driving forward all the way through. Nice voice too, and superb mixing!
jappe wrote: ↑14 Apr 2018Many thanks for feedback!raymondh wrote: ↑14 Apr 2018I listened again to this track. It's great. The rhythm of it really suits the way you sing.
I also had a listen to another track "Sunray". I really liked Sunray up to 2:24, but not so much the last half of the song that is a much more staccato sounding and quite busy.
Lack of Luck flows really well throughout I think.
Memories Of You is also great with a more traditional timing that works really well with your vocals.
They're all great tracks of course! And very nicely produced!
cheers
For Sunray my idea was to make the song shift direction. I've got negative feedback more than once about doing this in some other songs. I think there's a part of me who wants to make a Genesis song that moves in different directions.
I'll put Wind and Wuthering on my play queue to get inspiration how to make those shifts more smoothly
And the outro is quite busy indeed, my intention was to end the song while at highest intensity.
Basically I applied the as many bass notes as acceptable I could fit in the slots where the bass drum wasn't playing, and also added some distortion sharpness on the bass.
Good stuff! It is good to experiment and try different techniques.
A couple of things I've learned;
- keep it simple. I've tried some sophisticated timing things which fell flat and the advice from a professional Jazz musician was the reason is that people tend to like simpler stuff rather than complex.
- contrasts. Like you did in going for a different feel for 2nd half of the song, another technique is to have contrast between the layers eg a busy bassline contrast with legato pads, or a busy melody contrasted with a fairly simple bassline. Same with vocals. Quite a few commercial songs use this technique, and switch it around between verse and chorus as part of keeping interesting, building tension etc.
cheers!
Thanks for sharing tips!raymondh wrote: ↑14 Apr 2018jappe wrote: ↑14 Apr 2018
Many thanks for feedback!
For Sunray my idea was to make the song shift direction. I've got negative feedback more than once about doing this in some other songs. I think there's a part of me who wants to make a Genesis song that moves in different directions.
I'll put Wind and Wuthering on my play queue to get inspiration how to make those shifts more smoothly
And the outro is quite busy indeed, my intention was to end the song while at highest intensity.
Basically I applied the as many bass notes as acceptable I could fit in the slots where the bass drum wasn't playing, and also added some distortion sharpness on the bass.
Good stuff! It is good to experiment and try different techniques.
A couple of things I've learned;
- keep it simple. I've tried some sophisticated timing things which fell flat and the advice from a professional Jazz musician was the reason is that people tend to like simpler stuff rather than complex.
- contrasts. Like you did in going for a different feel for 2nd half of the song, another technique is to have contrast between the layers eg a busy bassline contrast with legato pads, or a busy melody contrasted with a fairly simple bassline. Same with vocals. Quite a few commercial songs use this technique, and switch it around between verse and chorus as part of keeping interesting, building tension etc.
cheers!
A sweet 80s sound..and the voice too. there are some things to do but i like it*
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