New Dna-Labs RE refills: Noxious Producer Soundset and Re-Up Radical piano

[TheFilterMob]

Hey guys, I found 2 new Rack Extension refills, I'm gonna try the noxious one out! I'll let you know what it sounds like soon…...

the website page has a few previews here is the link!

http://www.dna-labs-software.com/noxious_producer.html

http://www.dna-labs-software.com/re-up_ ... piano.html

[Puckboy2000]

Hey guys, I found 2 new Rack Extension refills, I'm gonna try the noxious one out! I'll let you know what it sounds like soon…...

the website page has a few previews here is the link!

http://www.dna-labs-software.com/noxious_producer.html

http://www.dna-labs-software.com/re-up_ ... piano.html

Please post how u like the Noxious refill. I may get the RE since it's on sale

[NaviRetlav]

Hey guys, I found 2 new Rack Extension refills, I'm gonna try the noxious one out! I'll let you know what it sounds like soon…...

the website page has a few previews here is the link!

http://www.dna-labs-software.com/noxious_producer.html

http://www.dna-labs-software.com/re-up_ ... piano.html

Please post how u like the Noxious refill. I may get the RE since it's on sale

I really recommend to get the Noxious RE.
It is a bit hard to program, but it makes the sounds that no other synth can do. 

Also if you didn't know it yet, we also have the ReFill for Noxious and other REs in NRS shop : http://naviretlav.com/RErefill

At least you can check the demo of the sounds we did with noxious to hear how it can be used



Cheers.

[Puckboy2000]

Thanks!

[TheFilterMob]

The refill is really big and has a lot of new sounds!  Loving it!  

[hydlide]

It is a bit hard to program, but it makes the sounds that no other synth can do. 

 

At the vanguard of additive synthesis, RAZOR delivers character like no other. Discover cutting edge sound design with unparalleled dynamics and a precise sound identity suited to tense basses, bristling leads and shifting, sci-fi soundscapes. Created by maverick Berlin producer Errorsmith in partnership with Native Instruments, RAZOR’s approach to additive synthesis is pragmatic and musical – providing detailed control without sacrificing usability.

The timbre of musical instruments can be considered in the light of Fourier theory to consist of multiple harmonic or inharmonic partials or overtones. Each partial is a sine wave of different frequency and amplitude that swells and decays over time.
Additive synthesis most directly generates sound by adding the output of multiple sine wave generators. Alternative implementations may use pre-computed wavetables or the inverse Fast Fourier transform.

Thus I disagree with the "No Other Synths can do" part.