EdwardKiy wrote: ↑02 Mar 2020
Apologies in advance if my questions are dumb - I'm a newb.
I like the fact that the proprietary m-class maximizer's effect is or can be very subtle, but what's beginning to annoy me is that even on a big screen I have to squint to see the graphical representation of the dynamics - it's simply too small and also on a scale that is too large for it most of the time.
So, 2 questions:
1. Could I use this device for same functionality as the m-class maximizer, (if I leave the "bias" knob at zero value?)?
2. If so, wouldn't adding a second scale right next to your 120/-120 one, but with a close up of the 0 to -20 range, take over pretty much all the functionality of something like the Ozone maximizer (its noise shaping options being relatively similar to your "bias" knob?), while being that much more? Or even have both the scales swapped to the middle of the device instead of your current middle graph (but that's probably because I don't understand what its there for) and have them as tall and wide as possible.
Personally, I don't care that much about the GUI, only the functionality. But that said, easy visibility of the dynamics on a compressor/maximizer is part of the functionality, no? Like the Ozone maximizer to me has similar value as the m-class, but it's that much clearer on what's going on in the dynamics graphically. That's 2.5 question
Apologies again if I got it all backwards.
1. It can *EXACTLY* emulate MClass Compressor. its COMP-I 'Above' mode is equivalent to MClass SoftKnee=Off (and COMP-01 Compressor/Limiter half-rack effect), and the COMP-III 'Above' mode is the same as that used in MClass SoftKnee=On, the Mix Channel and MasterBus compressors. Btw, not 'Bias' should be zero, but 'Drive', to turn off explicit distortions.
2. The Ozone maximizer has a number of adaptive limiter modes, which I don't implement; a maximizer serves for slightly different purposes than a compressor. The +120/-120 dB range is for showing big gain values it generates in "upward compression" modes, which are enabled by the 'Below' switch. It can amplify the background noise by 120dB in drop-offs and pauses, that effect is used in some styles of music, or to implement levelers. The upward compression is described here:
https://en.wikipedia.org/wiki/Compresso ... sor)#Types, there are also graphs there, just those I try to draw on the central display, that's what it was primarily meant for, to show the function resulting from the parameters selected. The live signal can also be drawn there, but I'm not happy about how it's done for now, so that will change. The meter display on the right can show 3 things: the current gain (the same as "gain reduction" meters on other compressors), the input signal relative to the threshold (in order to watch what part of it is exceeding the threshold level), and the regular output level meter.
2.5. I'm going to add the same mode as in the Ozone Maximizer at the top of the window, showing gain level history on the central display. That's indeed a useful feature.
Hope I cleared things up a little. Any questions are welcome.