There are a couple tricks you can do in Reason's Sequencer that can be helpful.EdGrip wrote: ↑10 May 2018The problem with copying notes to track and working on it there is that if you decide to change anything basic about the pattern later, you have to go through and change that note through the entire track (assuming you've made other edits to the drums in the sequencer.)
You can get around this with blocks, but the problem with blocks is they're not per-instrument so you can't just play around with the order of the drum blocks independently of your bassline blocks, for example. (Wouldn't per-instrument sub-blocks be lovely? Like "master" clips.)
Maybe an approach to take would be to have a separate Drum Sequencer device for each drum. That way you don't have to spend patterns on hi-hat variations that you'd like to spend on snare fills, or whatever etc. When you copy them to track each drum will have its own note lane by default giving you the best options for quickly making song-wide changes to any given lane later on, or scrapping a whole lane and starting again.
First, you can double-click on a key in the piano roll (or drum channel for something like Redrum/Kong) to select all the events for that note/drum. You can then move them to a different note/drum or shift them in time together.
The other thing you can do is 'explode' the notes for a sequence.
Via the Tool Window: Extract Notes to Lane > Explode > Move