An excerpt from a book from 2002 here uses the term. Again though it's from 'Cool Edit Pro' which of course later became Adobe's Audition.selig wrote:A crossover is a crossover, whether it's in a pro or home studio (or whether it's called a band splitter or a crossover!).dioxide wrote:Does crossover get used in most studio settings in your experience? Pretty much everyone I know is from a MIDI + synths background so most of us have never had the need to go to an actual recording studio.
Like I said previously, it may be the term band splitter came from Adobe, since it's only recently become popular (someone correct me if I'm wrong on this). I can't find a use of the term "band splitter" on any product before Adobe introduced it in 2006 (again, someone please correct me if I'm wrong here!). Audition, fwiw, was considered a home studio and later broadcast application, so it may have been more free to use it's own terminology rather than stick to industry standards. Again, I'm not loosing any sleep over this, it's just a curiosity IMO.
https://books.google.co.uk/books?id=lHk ... er&f=false
However well previous to that you'll find the term 'band splitter' is defined in the Telecommunications field as a multplexer that divides an available frequency into a number of smaller independent channels either using time division or as in this case frequency division.
Another distinction may arise between a 'band splitter' and a 'crossover' as applied to a speaker system maybe in the idea that a band splitter used in audio production may have a preferred characteristic of producing a perfect reconstruction of the original signal (hence the LR filters) when recombined whereas a crossover found in a speaker system may deliberately be designed to be assymetric in order to compensate other components in the loudspeaker system to achieve the perfect balance within that system, hence a crossover and not necessarily a straight frequency band split.