Unfortunately, I agree with this. Doesn't sound bad by any means, but doesn't sound like anything new. Having laid out a bunch of money recently on REs, it's going to take something special to spur my next purchase. Being more a preset guy than a programmer, I don't expect to be getting this. Will give it a chance though.Arsenic wrote:
As for the sound, so far I've not heard anything that particularly impresses me in any of the demo tracks. Nothing that screams "buy me, buy me". Will have a look when it's released, but based on what I've heard so far, I think my money is safe.
Expected REs in august
My most recent: viewtopic.php?f=9&t=7504378
- JoshuaPhilgarlic
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I think it's no problem with the synth itself but with the soundprogramming. Pure sawtooth with just a tiny little pinch of filter sweep... that's nothing to show the full potential of a synth.Arsenic wrote:As for the sound, so far I've not heard anything that particularly impresses me in any of the demo tracks. Nothing that screams "buy me, buy me". Will have a look when it's released, but based on what I've heard so far, I think my money is safe.
True, but I would have expected them to use sounds in the videos to really show off what it can do - not the rather ordinary and somewhat uninspiring sounds that they did use. If it has strengths in a particular area, I would have thought that they would have been showcased. Time will tell, I guess.JoshuaPhilgarlic wrote: I think it's no problem with the synth itself but with the soundprogramming. Pure sawtooth with just a tiny little pinch of filter sweep... that's nothing to show the full potential of a synth.
- JoshuaPhilgarlic
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Yep, that's exactly what I liked to say . These videos lack of signature sounds!Arsenic wrote:True, but I would have expected them to use sounds in the videos to really show off what it can do - not the rather ordinary and somewhat uninspiring sounds that they did use. If it has strengths in a particular area, I would have thought that they would have been showcased. Time will tell, I guess.JoshuaPhilgarlic wrote: I think it's no problem with the synth itself but with the soundprogramming. Pure sawtooth with just a tiny little pinch of filter sweep... that's nothing to show the full potential of a synth.
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What about the filter crossover feature? That seems new. Not in a position to try it ATM, but my guess it that instead of cross fading with amplitude, it's done with filters instead - if so, that sounds cool. Also, the visual CV inputs - they also seem new...
About the GUI, I think it's the oscillator section that lets the rest of the interface down - the wave selectors could be a tiny bit smaller to balance the appearance. However, those octave knobs need to be the same size - that IMO looks bad ATM.
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About the GUI, I think it's the oscillator section that lets the rest of the interface down - the wave selectors could be a tiny bit smaller to balance the appearance. However, those octave knobs need to be the same size - that IMO looks bad ATM.
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- JoshuaPhilgarlic
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Well, the Oscillator section looks pretty ugly, I agree - BUT did you see those tiny little 'Bands' knobs in Osc 2? They are meant to detune every single waveform of said oscillator, and that's a pretty cool feature. Never seen this before.Dance FX 21 wrote:About the GUI, I think it's the oscillator section that lets the rest of the interface down - the wave selectors could be a tiny bit smaller to balance the appearance. However, those octave knobs need to be the same size - that IMO looks bad ATM.
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Looks interesting indeed and worth a try - btw, that second octave selector could be dropped altogether - is there a real need for it? Maybe just have a midi and CV input for it instead...
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Different tastes and needs. I prefer having both octave selectors as they provide for quick octave tuning.Dance FX 21 wrote:Looks interesting indeed and worth a try - btw, that second octave selector could be dropped altogether - is there a real need for it? Maybe just have a midi and CV input for it instead...
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@ Exode: Guess any synth has to appeal to the broadest range of needs possible - in the end of the day, it's how it sounds. The more one looks at this RE, the less conventional and more innovative it gets. Good positive reception too. Worth a try me thinks...
BTW, I remember you on the props music forum a decade back....
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BTW, I remember you on the props music forum a decade back....
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Yes, it means you could tune them in intervals for creating chords, but also i.e. tune a sawtooth one octave above either square or triangle, to have the latter behave as a sub oct/osc. It's cool!JoshuaPhilgarlic wrote:Well, the Oscillator section looks pretty ugly, I agree - BUT did you see those tiny little 'Bands' knobs in Osc 2? They are meant to detune every single waveform of said oscillator, and that's a pretty cool feature. Never seen this before.Dance FX 21 wrote:About the GUI, I think it's the oscillator section that lets the rest of the interface down - the wave selectors could be a tiny bit smaller to balance the appearance. However, those octave knobs need to be the same size - that IMO looks bad ATM.
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Indeed...eXode wrote:Time flies eh?Dance FX 21 wrote:@ Exode: BTW, I remember you on the props music forum a decade back...
Have the Red 70 and the sound.... WWWOOOWWW!!!
That's not to mention the possibilities with LFOs and I haven't even tried the Filter X yet...
This is fun!
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The reverb in this demo is it a reverb from the new synth or is it an external fx? It sound realy good.Noel G. wrote:Here is another sound demo.
By the way any news when this will come out or any other news
- Reasonistas
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