The Patch uses Maelstrom, Ivy, Europa, Tap Player. All free devices.
My first version used LoveOne player instead of Tap, Parsec instead of Maelstrom,
and Noise Engineering Manis Iteras. But the Mael-Europa free version turned out
to be just as good, almost. Everything has been retained.
The Patch came out after a question made in Tutorial and tecniques - link here:
viewtopic.php?f=5&t=7532954
on how to achieve a note doubler more than one Octave down or up, without repeating it
too many times, or just transposing the note, all to just feed one polyphonic Synthesizer.
Ah yes, it had to accept polyphony as well.
Here it is.
OCTAVE SHIFTER DOUBLE SYNTH
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This forum is for sharing patches created with the updated Combinator, as well as backdrops and any backdrop assets. If you would like to share a patch here as an attachment, you must zip it first. Otherwise you can host your patches elsewhere and share the links here.
This forum is for sharing patches created with the updated Combinator, as well as backdrops and any backdrop assets. If you would like to share a patch here as an attachment, you must zip it first. Otherwise you can host your patches elsewhere and share the links here.
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cool... thanks for sharing this.
https://soundcloud.com/moneykube-qube/s ... d-playlist
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Thank you for sharing this Combi patch.
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I had the impression that using LoveOne Midi-Cv instead of Tap, the melody was different,
so I checked. It looks like LoveOne passes more notes. Just as a side note.
On the right there is the Ivy doubler with Tap player, on the left with LoveOne.
Chord detector in hold mode clearly shows more notes get processed in the LoveOne - SoundLove version.
Cheers.
here it is more obvious that the tap version has skipped the poliphony in the double octave down.
so I checked. It looks like LoveOne passes more notes. Just as a side note.
On the right there is the Ivy doubler with Tap player, on the left with LoveOne.
Chord detector in hold mode clearly shows more notes get processed in the LoveOne - SoundLove version.
Cheers.
here it is more obvious that the tap version has skipped the poliphony in the double octave down.
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