Interesting… thanks! I always thought the best combination was concrete floors and brick walls which were then treated with a floating floor and some kind of relatively dense liner material on walls and ceiling. But I see your point about the potential for reflections and standing waves. I guess I’m basing my recollection on memories of my old studio space years ago that was essentially not much more than a big unevenly shaped and unsealed wooden box and just rattled like hell. At the time I’d have given anything to work in a space with thick walls and a solid floor. And also my old studio was freezing in winter and boiling in the summer (roof space with almost no insulation) so there was that too.selig wrote: ↑05 Feb 2023Not necessarily. My studio tour of Power Station (now Avatar) in NYC revealed they used more flexible walls to intentionally absorb the sound (which of course came as a surprise to me). Solid/dense materials will reflect most/all energy back into the space which increases issues like standing waves/modes. Which is fine if you are prepared to absorb them like high end builds do. But it’s a trade off either way - more dense equals less transmission both directions but also more issues with the sound inside the space. Sums up the two sides of acoustics in audio - transmission vs sonics. In this case the point is moot since the build stage is long sense finished, but I would suspect bass trapping will be important in this space.
That said, transmission was not an issue for my recent build since I have no direct neighbors closer than 1/4 mile at the closest (lucky me!). I did want to be comfortable and opted for 5/8” drywall (thicker than would normally be used) and spray foam insulation all around, and the space stays nice and cozy in the cold (got down to -8° F/-22° C and the studio was still reasonably comfortable the next day (not warm, but not frozen either!).
CrimsonWarlock's new studio build
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Yep, Selig's studio is a musician's wet dream, at least from my perspective. His space is much more usefull to begin with, quite a bit larger than mine.
My studio was in my office building (where I run my own company). Just for reference, here's a picture of the (previous) studio space:
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Keep us updated! I personally enjoy the step-by-step builds!
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Thanks for sharing this info, Giles. You are a wealth of knowledge.
It's great to see your studio coming together, CrimsonWarlock. Thanks for sharing it with us. Looking good!
Looks like plenty of us are interested in watching the progression of this studio. I think this forum is perfect for such topics. Please try to be nicer to your fellow forum users in the future; your comment was quite rude. Thank you
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Hahaha, that one made my day already

At the office now. Just loaded the last acoustic panels into my car to take home this afternoon. If all goes well, a new picture update tonight

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Beautiful studio mancrimsonwarlock wrote: ↑06 Feb 2023Yep, Selig's studio is a musician's wet dream, at least from my perspective. His space is much more usefull to begin with, quite a bit larger than mine.
My studio was in my office building (where I run my own company). Just for reference, here's a picture of the (previous) studio space:
![]()
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Thanks. The new studio space will at least match the aesthetics.
It sure was, especially the room dimensions were acoustically speaking just right. I'm really curious how the new space will turn out in that regard.
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It only took me to age 61 to have my dream studio. Literally NOTHING I’ve had at home over the years (and there have been many) has even come close to this room, so it was a long wait. Only 10 years ago my home studio was an Ikea desk in a corner with a mono Roland Cube monitor.To those still waiting for their dream studio, hang in there - it can still happen!crimsonwarlock wrote: ↑06 Feb 2023Yep, Selig's studio is a musician's wet dream, at least from my perspective. His space is much more usefull to begin with, quite a bit larger than mine.
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Same here. My studio is the result of 40 years saving money to get things. And building a lot of stuff myselfselig wrote: ↑07 Feb 2023It only took me to age 61 to have my dream studio. Literally NOTHING I’ve had at home over the years (and there have been many) has even come close to this room, so it was a long wait. Only 10 years ago my home studio was an Ikea desk in a corner with a mono Roland Cube monitor.To those still waiting for their dream studio, hang in there - it can still happen!

Some equipment in my studio I had for 20 years or longer, like the Tascam US-2400. When the move is done, I'm building a new desk and make sure it provides space for a new mix controller to replace the US-2400. I'm liking the iCon Qcon Pro-X, but to replace the 24+1 motorized faders of the Tascam, I need a base unit and two expanders, so that's easily 2400 euros (100 euro per fader

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Nice to know as I currently am sat perched at a computer desk in the corner of our front room to make music.selig wrote: ↑07 Feb 2023It only took me to age 61 to have my dream studio. Literally NOTHING I’ve had at home over the years (and there have been many) has even come close to this room, so it was a long wait. Only 10 years ago my home studio was an Ikea desk in a corner with a mono Roland Cube monitor.To those still waiting for their dream studio, hang in there - it can still happen!crimsonwarlock wrote: ↑06 Feb 2023
Yep, Selig's studio is a musician's wet dream, at least from my perspective. His space is much more usefull to begin with, quite a bit larger than mine.
I am a step nearer a studio as moved to a house where the old occupiers built a brick workshop in the back garden. Just need to save up and convert it to a studio now (this part will take years
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Another day, another update. The last acoustic panels are up. And I put my monitors on their stands to get a feel for where it's going

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Another small update. Today I brought the large 4K TV screen back from the office, and put it up on the new stand I got for it.
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Man, that's already looking really good IMO! That monitor stand is quite impressive.
Not sure what is going on with the side panels (black ones) but need to see the whole thing before commenting.
Not sure what is going on with the side panels (black ones) but need to see the whole thing before commenting.

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Thanks.
That monitor stand is actually meant for a much bigger screen, so it is pretty overengineered in this application. But because it is very heavy metal, again little chance of strange vibrations. Before this, the screen was simply standing on a shelf, but with this stand, I now can have it angled down a little. I have to see if that is a good idea when everything is back in operation.
The panels on the sides were my bass traps, you can see them in the picture of the previous studio. Because now the ceiling angles down to almost floor level, there are no corners to put them in, except the top of the ceiling where I have put them as well. So now I have them on the sides, and they angle in a bit because, again, the ceiling

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If those are corner traps, you still have corners along that wall (follow the elephant's trunk). You just need to rotate them 45°, as there is STILL a wall/ceiling boundary right there along the front wall.crimsonwarlock wrote: ↑09 Feb 2023Thanks.
That monitor stand is actually meant for a much bigger screen, so it is pretty overengineered in this application. But because it is very heavy metal, again little chance of strange vibrations. Before this, the screen was simply standing on a shelf, but with this stand, I now can have it angled down a little. I have to see if that is a good idea when everything is back in operation.
The panels on the sides were my bass traps, you can see them in the picture of the previous studio. Because now the ceiling angles down to almost floor level, there are no corners to put them in, except the top of the ceiling where I have put them as well. So now I have them on the sides, and they angle in a bit because, again, the ceiling![]()
I mention this because I have a similar ceiling situation, although it's rotated 90° (when viewed from above) to yours, and I'm just now realizing I don't have corner traps along ANY of those boundaries. I still have some nasty nodes to deal with so I'm going to put some triangle bass traps along as much of that boundary as possible. I've also neglected the ceiling 'peak' area because it's 18' above me and I already have 4 monster traps (GIK) above my head at the 10' level.
It's an on-going process - just like Disneyland, it's never 'finished'...
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Thanks again for your insights. Yep, I'm aware of those corners. It is the same with a 'normal' room, where there are 90 degrees corners along the ceiling and even the floor. However, in the previous studio I had only the corners bass trapped, and not along the ceiling, and that room measured almost flat response (meaning no serious bumps and troughs in the spectrum). As this new space is obviously not a 'straight' room, I will have to hear how it turns out, and then tackle any problems as they occur. As you say, it's an ongoing processselig wrote: ↑09 Feb 2023If those are corner traps, you still have corners along that wall (follow the elephant's trunk). You just need to rotate them 45°, as there is STILL a wall/ceiling boundary right there along the front wall.
I mention this because I have a similar ceiling situation, although it's rotated 90° (when viewed from above) to yours, and I'm just now realizing I don't have corner traps along ANY of those boundaries. I still have some nasty nodes to deal with so I'm going to put some triangle bass traps along as much of that boundary as possible. I've also neglected the ceiling 'peak' area because it's 18' above me and I already have 4 monster traps (GIK) above my head at the 10' level.
It's an on-going process - just like Disneyland, it's never 'finished'...

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Meanwhile, the Frankenstein desk came home. Ready for re-assembly and use until I get to build the new desk.
I did build this desk around 15 years ago (or maybe a few more), and it got reconfigured (or should I say butchered) a bit over time
I did build this desk around 15 years ago (or maybe a few more), and it got reconfigured (or should I say butchered) a bit over time

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So, I assembled the desk and have started setting up all the equipment again. The computer and screens are up and running again, but everything else still needs to get connected. But it starts to feel like a studio again
As you can see in the left bottom corner of the picture below, all the 19-inch stuff, like the Focusrite audio interface, still has to go into the desk (into that black hole there).

As you can see in the left bottom corner of the picture below, all the 19-inch stuff, like the Focusrite audio interface, still has to go into the desk (into that black hole there).
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That looks like it’s going to be a fantastic creative space. Congrats (and it’s coming together very quickly!)
Reason user since version 1 (I recently stumbled upon my version 1 license card)! Getting back into making music after too long a hiatus.
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Thanks. It is coming along nicely indeed

Meanwhile, having fun with cables… actually, not really fun

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Love how neat the desk looks, the way the cables are hidden so it stays tidy - awesome 

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That's come along nicely and in a short space of time. Looks like a great space to get creative 
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Most cables are not visible because they are not there yet

Thanks. But still a lot to do. I've just started putting up some anti-reflection panels on the back wall. I'm also completely reconfiguring my audio interface setup that will give me monitoring selection (nearfields, headphones, reference speakers) right inside Reason with a combinator that does the routing.
Today will be running MIDI-cables to hardware, and seting up my makeshift vocal booth.
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