Gonna throw the ball in the air:
Why wipe them out? Sometimes, using frequencies below 20 Hz can be a great source for distortion. Or we could distort the infra and ultra (above 16~20 kHz)frequencies to see if they can create some interesting sounds. Maybe isolating them and bring them octave(s) up / down respectively and see what we get.
Thoughts?
Infra and Ultra frequencies T'sGIoR
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Trumpets, cymbals, and a few other things produce harmonics up to and past 100k, and I’ve thought the same thing....for example the sound of a quasar when brought into the range of human hearing is almost exactly sample&hold applies to pitch!!! but sub bass is a problem. It will eat up all the energy (literally, all the amplitude potential) in your song and you will wonder why it sounds so quiet compared to everything else.RobC wrote: ↑12 Jun 2018Gonna throw the ball in the air:
Why wipe them out? Sometimes, using frequencies below 20 Hz can be a great source for distortion. Or we could distort the infra and ultra (above 16~20 kHz)frequencies to see if they can create some interesting sounds. Maybe isolating them and bring them octave(s) up / down respectively and see what we get.
Thoughts?
DAW: Reason 12
SAMPLERS: Akai MPC 2000, E-mu SP1200, E-Mu e5000Ultra, Ensoniq EPS 16+, Akai S950, Maschine
SYNTHS: Mostly classic Polysynths and more modern Monosynths. All are mostly food for my samplers!
www.soundcloud.com/jimmyklane
SAMPLERS: Akai MPC 2000, E-mu SP1200, E-Mu e5000Ultra, Ensoniq EPS 16+, Akai S950, Maschine
SYNTHS: Mostly classic Polysynths and more modern Monosynths. All are mostly food for my samplers!
www.soundcloud.com/jimmyklane
Interesting, though in my case, weird things happened when creating complex synthesized sounds; especially with FM. As for bass, that's more useful for sidechain distortion; and maybe checking what it sounds like a few octaves higher. Though since filtered, it probably would be just some sine-like varied thing. But the ultra frequencies certainly could make something more interesting. Funny example is some birds singing, that have very clear melodies, when brought down a few octaves, just they sing at extremely high frequencies.jimmyklane wrote: ↑12 Jun 2018Trumpets, cymbals, and a few other things produce harmonics up to and past 100k, and I’ve thought the same thing....for example the sound of a quasar when brought into the range of human hearing is almost exactly sample&hold applies to pitch!!! but sub bass is a problem. It will eat up all the energy (literally, all the amplitude potential) in your song and you will wonder why it sounds so quiet compared to everything else.RobC wrote: ↑12 Jun 2018Gonna throw the ball in the air:
Why wipe them out? Sometimes, using frequencies below 20 Hz can be a great source for distortion. Or we could distort the infra and ultra (above 16~20 kHz)frequencies to see if they can create some interesting sounds. Maybe isolating them and bring them octave(s) up / down respectively and see what we get.
Thoughts?
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