Big Black Delta mindbending vocal effect
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Stock device - "The Echo"
Looks to me pretty achievable with the echo (fast time) + trigger roll. and then use a phaser effect in the breakout output. I would start from there if it was me.
( btw, great album )
Looks to me pretty achievable with the echo (fast time) + trigger roll. and then use a phaser effect in the breakout output. I would start from there if it was me.
( btw, great album )
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Projects: P1 Easy Remote Mapping | Personal Refill Sale Store: https://payhip.com/noisesystems | Title Generator! untitled.noiseshadow.com
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- diminished
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That's just a really fast stutter effect if you take away the distortion. You can do that with Glitch RE (Or StutterEdit from iZotope). Add a pitch shifter afterwards for a little more creative control.
You'd want some very heavy compression at the end of the chain because the stuttering can give you both extremely low and high levels.
You'd want some very heavy compression at the end of the chain because the stuttering can give you both extremely low and high levels.
Most recent track: resentment (synthwave) || Others: on my YouTube channel •ᴗ•
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I did wonder if Grain was capable of something like this. But I really have no idea where to start with it to be honest.
Funnily enough I'm looking into that kind of thing. I've been jamming some vocals through Bitspeek and getting nice vocal tones which sound like they get frozen at the start of each step, stretched across the step, and then it samples again at the beginning of the next step. I think something like that sliced and then played with a sequencer on a fast speed and Neptune in there for pitch and formant shifting and I could get close. I'll check out that RE too just in case it can do it better!diminished wrote: ↑21 Nov 2019That's just a really fast stutter effect if you take away the distortion. You can do that with Glitch RE (Or StutterEdit from iZotope). Add a pitch shifter afterwards for a little more creative control.
You'd want some very heavy compression at the end of the chain because the stuttering can give you both extremely low and high levels.
- diminished
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Glitch RE is limited to 1/64th steps though which might be not fast enough for your liking.
I recommend you put some controls on pads and knobs of your midi controller - like stutter on/off, stutter speed, the gating option of GlitchRE and the pitch wheel of an initialized Polar, and just jam a bit.
I recommend you put some controls on pads and knobs of your midi controller - like stutter on/off, stutter speed, the gating option of GlitchRE and the pitch wheel of an initialized Polar, and just jam a bit.
Most recent track: resentment (synthwave) || Others: on my YouTube channel •ᴗ•
Yea that RE would be way easier to deal with over Graindiminished wrote: ↑21 Nov 2019Glitch RE is limited to 1/64th steps though which might be not fast enough for your liking.
I recommend you put some controls on pads and knobs of your midi controller - like stutter on/off, stutter speed, the gating option of GlitchRE and the pitch wheel of an initialized Polar, and just jam a bit.
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Yeah I intend to, my novation remote 25 is perfect for jamming things like that. It's easy to get midi to multiple devices too so I was thinking of remote mapping bitspeek, neptune and maybe a delay, but I'll try with Glitch first. There was a point in the intro video for glitch where he ramped the stutter and I could hear an element of what I am aiming for so that has potential.diminished wrote: ↑21 Nov 2019Glitch RE is limited to 1/64th steps though which might be not fast enough for your liking.
I recommend you put some controls on pads and knobs of your midi controller - like stutter on/off, stutter speed, the gating option of GlitchRE and the pitch wheel of an initialized Polar, and just jam a bit.
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I find grain completely incomprehensible, but then I used to say that about Europa and now I don't know why I was so scared of itaeox wrote: ↑21 Nov 2019Yea that RE would be way easier to deal with over Graindiminished wrote: ↑21 Nov 2019Glitch RE is limited to 1/64th steps though which might be not fast enough for your liking.
I recommend you put some controls on pads and knobs of your midi controller - like stutter on/off, stutter speed, the gating option of GlitchRE and the pitch wheel of an initialized Polar, and just jam a bit.
Grain works but takes more automation and tweaking to get it right for meBjørn Felle wrote: ↑21 Nov 2019I find grain completely incomprehensible, but then I used to say that about Europa and now I don't know why I was so scared of it
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- Boombastix
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That is iZotope's Stutter Edit.
10% off at Waves with link: https://www.waves.com/r/6gh2b0
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Disclaimer - I get 10% as well.
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Oh really? That plugin alone will do this? I have an idea for how to do it with Glitch RE by mapping a button to the stutter enabled parameter and also inversely mapped to the mute button for the device. That way I can produce a prolonged vowel but hear nothing, hit the button and get a stuttered version of that vowel. Repeat lots of times in sequence. If that doesn't work I'll give iZotope a try. Thanks man.
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Hmm, I wonder if this might do the trick if I can’t get a result I’m happy with using Glitch.
https://www.reasonstudios.com/shop/rack ... ion/fritz/
https://www.reasonstudios.com/shop/rack ... ion/fritz/
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- EnochLight
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Navi did a great Refill expansion for Fritz as well:Bjørn Felle wrote: ↑22 Nov 2019OH MY SHIT YES, Fritz is the one.
This may be achievable with stock devices (Grain + Polar with lock as Aquila just mentioned) but when it sounds this perfect I'm just gonna buy the shit out of this plugin while it's on sale, it will support the devs anyway
Win 10 | Ableton Live 11 Suite | Reason 12 | i7 3770k @ 3.5 Ghz | 16 GB RAM | RME Babyface Pro | Akai MPC Live 2 & Akai Force | Roland System 8, MX1, TB3 | Dreadbox Typhon | Korg Minilogue XD
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Oh nice one, thanks dude I'll check it out. I've spent a lot of time working on this with Fritz and it is a great RE. I'm really happy with the result so far.
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