OK, Got it. Took a while and invited some different perspectives on routing and RE usage. Thanks everyone for the time and help you provided! Here's a short video of a single jazz chord for just under a minute. You'll hear a lot of very subtle microsound changes over the course of the video.
Using Reason DAW, here is my emulation of the 2020 Beat Machine's effects portion (the parts I like), in a combinator format. I'm not providing the combinator for download, since all the images and devices are shown here at the bottom of the screen. It's easy enough to just copy the way it's wired. Get your hands dirty, you'll appreciate it more.
I already owned Glitch, and the KHs RE's. Wanting to put them to good use in a fashion that suits my tastes, I had to get KRON for the random, yet calculated feel of CV to RE. KRON is what made all of this possible to the degree that I was looking for. Yeah, I know there's a ton of LFO's, delays, CV options. This is the one that did it for me.
The initial step was to get the Glitch RE to be gentle on whatever devices go through the input. That took some taming via knob and probability positioning.
The next step was to get the repeated delay sound, without it sounding like a delay. The KHs delay is simple, low on the CPU and gets crispy if I choose, so I put that in the 200ms range, keeping the mix low and the ducking on. Other delays suggested required more purchasing, and ultimately didn't get me quite where I wanted to be. I'm going for an ultra-crispy Max/MSP and Pure Data sound.
Once that happened, the patch became more apparent. I connected KRON to the Glitch RE to randomly trigger the stutter and gate on and off, and the delay's timing, feedback, rate, and mix. All of a sudden I had the gating and stuttering patterns I was looking for. Low volume, sporadic, and most importantly, short. Since I'm not using this for EDM/dance, I kept the shuffle, tape stop and reverse effects out of there.
The rest of the effects were then plugged in to add other little bits of audio interest. Using more of the KHs plugins for their lightweight features and crisp sound, I added bitrate adjustment, pitch shifting, and filtering. All subtle, and gently triggered.
Finally, I put it into a combinator and attached that to the FX inputs so you can select what channel and how much. All for subtlety.
So, thanks again for all the help. Now I'm going to have to figure out how to make the arp/sequences I have also shift around from time to time - hopefully without purchasing more RE's, I have a truckload already