Is there a way to get more in depth on grid?

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figarohs
Posts: 6
Joined: 14 Jan 2017

29 Dec 2017

Is it possible to get more precise with placement on the grid than 1/64? I know you can turn snap off but I want it precise. Any ideas? This problem gets me caught up pretty often. I'm using Reason 8

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AttenuationHz
Posts: 2048
Joined: 20 Mar 2015
Location: Back of the Rack-1

29 Dec 2017

Use the Tick counter 240 ticks in 1/16 measure, 120 in 1/32, 60 in 1/64, 30 in 1/128 15 in 1/256 etc.
Tick.JPG
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selig
RE Developer
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Location: The NorthWoods, CT, USA

29 Dec 2017

If you double your tempo 1/64th is equal to 1/128th grid.



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RandyEspoda
Posts: 275
Joined: 14 Mar 2017

29 Dec 2017

Nudge selection one Tick back/forward in the sequencer :

[Option]+[Command]/[Alt]+[Ctrl]+Arrow left/right keys

figarohs
Posts: 6
Joined: 14 Jan 2017

29 Dec 2017

AttenuationHz wrote:
29 Dec 2017
Use the Tick counter 240 ticks in 1/16 measure, 120 in 1/32, 60 in 1/64, 30 in 1/128 15 in 1/256 etc.

Tick.JPG
But is there a way to get more in depth so you can put the cursor more precisely? My problem with doing it this way is it's still too similar to just turning snap off because it's not following a grid it's hard to be precise.

figarohs
Posts: 6
Joined: 14 Jan 2017

29 Dec 2017

selig wrote:
29 Dec 2017
If you double your tempo 1/64th is equal to 1/128th grid.



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I tried this and it didn't make a difference for me. I just don't get why it stops at 1/64, so much happens beyond that.

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selig
RE Developer
Posts: 11739
Joined: 15 Jan 2015
Location: The NorthWoods, CT, USA

29 Dec 2017

figarohs wrote:
selig wrote:
29 Dec 2017
If you double your tempo 1/64th is equal to 1/128th grid.



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I tried this and it didn't make a difference for me. I just don't get why it stops at 1/64, so much happens beyond that.
You have to double the tempo BEFORE you start recording - after tracks are recorded it of course makes no difference.

If your song is at 130, set tempo to 260 or even 520 (4x) and start laying tracks. 1/64 becomes 1/128 or 1/256 - is that enough for you?

For me, not much happens musically beyond 1/16, but there are plenty of sonic explorations above that. But for those sorts of things I prefer to leave the main sequencer behind and use a step sequencer or similar - much more flexible and quicker in many ways (depending on exactly what you’re after).
:)


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househoppin09
Posts: 536
Joined: 03 Aug 2016

29 Dec 2017

Came to say what selig said, that really is your only good option here.

Among the MANY other updates Reason's sequencer needs are more note and time signature values. It'd be great to be able to do 128th/256th notes, weird time signatures like 17/16, etc. without having to worry about annoying workarounds. Can't be that tough to add.

figarohs
Posts: 6
Joined: 14 Jan 2017

05 Jan 2018

selig wrote:
29 Dec 2017
figarohs wrote:
I tried this and it didn't make a difference for me. I just don't get why it stops at 1/64, so much happens beyond that.
You have to double the tempo BEFORE you start recording - after tracks are recorded it of course makes no difference.

If your song is at 130, set tempo to 260 or even 520 (4x) and start laying tracks. 1/64 becomes 1/128 or 1/256 - is that enough for you?

For me, not much happens musically beyond 1/16, but there are plenty of sonic explorations above that. But for those sorts of things I prefer to leave the main sequencer behind and use a step sequencer or similar - much more flexible and quicker in many ways (depending on exactly what you’re after).
:)


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I see what your saying that's definitely the way to go in the future. It just sucks when I want to do an intricate timing with hi hats for example and I can't set it on the grid. I can get it in time pretty good when I play it manually but it drives my ocd crazy knowing it's not perfect

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