Europa Shapeshifting Synthesizer (Thread)
- Nocturn789
- Posts: 67
- Joined: 01 Jun 2015
the moment in the livestream when they've shown the feature to draw your waves on the envelopes display and then using env 3 and 4 on the engine and shapeshifting between them was so awesome! that was the moment i decided to get R10 instead and not Serum xD
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Windows 10 Pro x64, Intel i7-7700K, 32GB RAM, Scarlett 4i4 3rd Gen
Behringer X-Touch, Nektar Impakt LX61, Livid DS1, Novation LaunchPad Mini
Pioneer DJM-900NXS2, 2x Pioneer CDJ-2000NXS2, Korg Kaoss Pad 3
- MannequinRaces
- Posts: 1543
- Joined: 18 Jan 2015
For those complaining about the lack of CV options on the back (apologies if this has been mentioned I haven't read this entire thread) don't forget you can always put Europa in a combinator and have a fun romp with the CV that way!
I know right!MannequinRaces wrote:For those complaining about the lack of CV options on the back (apologies if this has been mentioned I haven't read this entire thread) don't forget you can always put Europa in a combinator and have a fun romp with the CV that way!
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It's a cool feature for sure, but since the relation between the waveshape and its actual sound is vague, this turns out to be more like a random process rather than precise sound design.Nocturn789 wrote: ↑03 Oct 2017the moment in the livestream when they've shown the feature to draw your waves on the envelopes display and then using env 3 and 4 on the engine and shapeshifting between them was so awesome! that was the moment i decided to get R10 instead and not Serum xD
I disagree. I think it opens doors for experimentation. I know what a saw sounds like as well as a sine. So if I draw a saw like wave I know it'll have more harmonics but if I draw a sine like waveform, I know it'll have a sine sound.madmacman wrote:It's a cool feature for sure, but since the relation between the waveshape and its actual sound is vague, this turns out to be more like a random process rather than precise sound design.Nocturn789 wrote: ↑03 Oct 2017the moment in the livestream when they've shown the feature to draw your waves on the envelopes display and then using env 3 and 4 on the engine and shapeshifting between them was so awesome! that was the moment i decided to get R10 instead and not Serum xD
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Yes, but you refer to the set of basic waveforms, which are in stock anyway. No need to draw them. But I fully agree that it opens doors for experimentation.
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Just curious did anyone happen to see if it had bend + or - ? Those are my favorite modifier types hands down, really hoping that it's one of the options
Mayor of plucktown
- esselfortium
- Posts: 1456
- Joined: 15 Jan 2015
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This is true, but it also neglects the dynamic waveshaping abilities that make a synth like Europa or Expanse so powerful: you're not just taking a waveform and keeping it as-is, you can morph it into variations of itself that change as you play.
Sarah Mancuso
My music: Future Human
My music: Future Human
My understanding was that the "dynamic" buzzword refers to some of the proprietary wavetables, not to the spectral filter/harmonics bit.esselfortium wrote: ↑03 Oct 2017This is true, but it also neglects the dynamic waveshaping abilities that make a synth like Europa or Expanse so powerful: you're not just taking a waveform and keeping it as-is, you can morph it into variations of itself that change as you play.
My point is that there is really nothing new here, except for maybe those proprietary wavetables. There is so much hype when it comes to these types of products, and it's hard for me to get excited these days.
Will still buy it though.
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- Location: Sweden
All settings you make in the oscillator including the spectral filter and modifiers change the code parameters used to generate the wavetable, if I understand correctly. Hench, it's dynamic.stxlm wrote: ↑03 Oct 2017My understanding was that the "dynamic" buzzword refers to some of the proprietary wavetables, not to the spectral filter/harmonics bit.esselfortium wrote: ↑03 Oct 2017
This is true, but it also neglects the dynamic waveshaping abilities that make a synth like Europa or Expanse so powerful: you're not just taking a waveform and keeping it as-is, you can morph it into variations of itself that change as you play.
My point is that there is really nothing new here, except for maybe those proprietary wavetables. There is so much hype when it comes to these types of products, and it's hard for me to get excited these days.
Will still buy it though.
- esselfortium
- Posts: 1456
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I think we've misunderstood each other. I'm not referring to something specific only to Europa, but rather a feature of other modern wavetable synths like Expanse as well: the ability to use LFOs and envelopes to change the waveform over time. This is something that you cannot do with samples of waveforms in an NN-XT.stxlm wrote: ↑03 Oct 2017My understanding was that the "dynamic" buzzword refers to some of the proprietary wavetables, not to the spectral filter/harmonics bit.esselfortium wrote: ↑03 Oct 2017
This is true, but it also neglects the dynamic waveshaping abilities that make a synth like Europa or Expanse so powerful: you're not just taking a waveform and keeping it as-is, you can morph it into variations of itself that change as you play.
My point is that there is really nothing new here, except for maybe those proprietary wavetables. There is so much hype when it comes to these types of products, and it's hard for me to get excited these days.
Will still buy it though.
When I say "dynamic", I'm not referring to any marketing buzzword, but simply as the inverse of "static".
Sarah Mancuso
My music: Future Human
My music: Future Human
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- Posts: 224
- Joined: 09 Jul 2015
It looked to me like a very nice and friendly synth. I do wish you could take audio input or samples as wavetable positions though, not just drawn shapes. It looks like it supports that internally (based on their demo and what they were talking about with “dynamic” wavetables).
From the looks of it Europa strikes just the right balance between sophistication and ease of use. Propellerhead has a good track record in that respect and this is a wavetable synth where I could actually see myself building my own patches from scratch.
Music is nothing else but wild sounds civilized into time and tune.
Oh, in the Europa presentation, I'm pretty sure Mattias referred to (some of) them as "dynamic wavetables".esselfortium wrote: ↑03 Oct 2017When I say "dynamic", I'm not referring to any marketing buzzword, but simply as the inverse of "static".
To further explain dynamic, the difference between loading a sample in the NNXT and what Expanse, Surum, and Europa can do is that there are multiple wavetables that get cycled through so that it bends and morphs overtime. NNXT can't do that.
There are ways to modulate or cycle though the start points in NNXT.
Just saw... up to ~33 min...
EUROPA is SO well laid out for me... So easy to use, and so easy to reach a Big Sound.
I have half-assed MIDI control in Reason, but I really dont mind Mousing and Keyboarding this one.
- Well laid out Engine
- Nice addition of the FX filter.
- unique Filter Designs/Shapes
All to give the sound incredible dynamic movement, i think.
Great Job.
another hr, and ill be ready for October 25th!
EUROPA is SO well laid out for me... So easy to use, and so easy to reach a Big Sound.
I have half-assed MIDI control in Reason, but I really dont mind Mousing and Keyboarding this one.
- Well laid out Engine
- Nice addition of the FX filter.
- unique Filter Designs/Shapes
All to give the sound incredible dynamic movement, i think.
Great Job.
another hr, and ill be ready for October 25th!
- theshoemaker
- Posts: 595
- Joined: 21 Nov 2015
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Use all 3 OSC, max voice unison and try ittheshoemaker wrote: ↑08 Oct 2017It's not! It runs very low on DSP even in the BETA. But to be fair, I didn't used all 3 OSCs. Still I think it won't consume a lot DSP
- jayhosking
- Posts: 613
- Joined: 28 Nov 2016
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Beta testers have been asked kindly to keep their mouths shut, but I want to say that some have run this very experiment of yours and found very good results.
I would've thought "there's No WAY Europa would give Grain a run for it's money!"
WRONG!! WRONG!!
- 47:12 FX Switching? that UI? I didn't know i could do that!
if that FX section on EUROPA is Audio IN capable, that's a one stop shop right there.
There'll be some good head-to-head action with ANTIDOTE. Another Monster.
EUROPA nailed ease of use, the UI/ Feedback, creative processing.
Careful, Propellerhead. I think EUROPA can play itself.
Whatever you do, dont tell Europa it can also be the Rhythm section.
God help us all.
WRONG!! WRONG!!
- 47:12 FX Switching? that UI? I didn't know i could do that!
if that FX section on EUROPA is Audio IN capable, that's a one stop shop right there.
There'll be some good head-to-head action with ANTIDOTE. Another Monster.
EUROPA nailed ease of use, the UI/ Feedback, creative processing.
Careful, Propellerhead. I think EUROPA can play itself.
Whatever you do, dont tell Europa it can also be the Rhythm section.
God help us all.
You're not in beta are you? I don't think you are allowed to talk it on here.theshoemaker wrote: ↑08 Oct 2017It's not! It runs very low on DSP even in the BETA. But to be fair, I didn't used all 3 OSCs. Still I think it won't consume a lot DSP
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