The Importance Of Mono Reference
So I have no access to the engineer I was using, or his studio.
And I have fully realized that the ability to reference quickly in mono is something that is basically a MUST for mixes. So I'm getting a mono speaker (single) with a control switch.
I've mixed songs using my Yamaha HS80s and headphones and when I take it to the car, or phone or anywhere else it lacks so much. But any mix I've had where I had the ability to reference in mono sounds good, and it saves so much time.
Just throwing it out there.
And I have fully realized that the ability to reference quickly in mono is something that is basically a MUST for mixes. So I'm getting a mono speaker (single) with a control switch.
I've mixed songs using my Yamaha HS80s and headphones and when I take it to the car, or phone or anywhere else it lacks so much. But any mix I've had where I had the ability to reference in mono sounds good, and it saves so much time.
Just throwing it out there.
Yamaha DGX-650 (Controller) - Komplete Audio Interface - Asus GR8 2 - Intel Core i7-7700 3.60 GHz - 16GB RAM - Audio Technica ATH M50x - Yamaha HS 80Ms - Reason 10 - Izotope - Cubase - Pro Tools - Ableton - Epiphones - Taylors - SH*TLOAD of Plug-Ins
- Last Alternative
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Get 1 Avantone mixcube (active). I'm telling you that's the best way to go. And of course set it right in the middle.
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mono checks on headphones help a lot
I'm way ahead if you Bud.Last Alternative wrote:Get 1 Avantone mixcube (active). I'm telling you that's the best way to go. And of course set it right in the middle.
Yamaha DGX-650 (Controller) - Komplete Audio Interface - Asus GR8 2 - Intel Core i7-7700 3.60 GHz - 16GB RAM - Audio Technica ATH M50x - Yamaha HS 80Ms - Reason 10 - Izotope - Cubase - Pro Tools - Ableton - Epiphones - Taylors - SH*TLOAD of Plug-Ins
As do Imotuscott wrote:I concur.Last Alternative wrote:Get 1 Avantone mixcube (active).
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Avantone mixcube going to work much better than just flipping the mono switch on and hearing it over the regular studio pair?
Unfortunately my computer screens are right in front of me. And some rack gear on the shelf above them. The only option would be to put it ~15" above my ears pointing downward.
Unfortunately my computer screens are right in front of me. And some rack gear on the shelf above them. The only option would be to put it ~15" above my ears pointing downward.
I just use the Anansi Mid Side Router for mono and Pongasoft A/B 12 for a pushbutton. Both free last time I checked.
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- Last Alternative
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The Universal Audio Apollo twin solo mkii has a mono button so no need for Reason workarounds anymore.
Last edited by Last Alternative on 22 Apr 2017, edited 2 times in total.
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Smart man.KevTav wrote:I'm way ahead if you Bud.Last Alternative wrote:Get 1 Avantone mixcube (active). I'm telling you that's the best way to go. And of course set it right in the middle.
https://lastalternative.bandcamp.com
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- TritoneAddiction
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I always place Quadelactras Stereo Splitter at the end of the master bus chain for every song I make. Stereo Splitter has a mono button. It couldn't get any simpler than that.
I'm sure there are plenty of ways to do it though. But buying new speakers seems like a very expensive alternative when Stereo Splitter costs 9 bucks. Or am I missing something? Is there a difference?
You can even get kHs Stereo for free in the shop which basically does the same thing.
I'm sure there are plenty of ways to do it though. But buying new speakers seems like a very expensive alternative when Stereo Splitter costs 9 bucks. Or am I missing something? Is there a difference?
You can even get kHs Stereo for free in the shop which basically does the same thing.
i dont mean no disrespect but i guess theyre talking about the accuracy of that particular speaker? i dont own one but im assuming thats why they recommended itTritoneAddiction wrote:Stereo Splitter has a mono button. It couldn't get any simpler than that.
...
But buying new speakers seems like a very expensive alternative when Stereo Splitter costs 9 bucks. Or am I missing something?
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No problem.grizelda wrote:i dont mean no disrespect but i guess theyre talking about the accuracy of that particular speaker? i dont own one but im assuming thats why they recommended itTritoneAddiction wrote:Stereo Splitter has a mono button. It couldn't get any simpler than that.
...
But buying new speakers seems like a very expensive alternative when Stereo Splitter costs 9 bucks. Or am I missing something?
So are regular (good sounding) studio monitors less accurate? What's the advantage of having a dedicated mono speaker compared to a mono button in your DAW?
I'm sure these are dumb questions, but what hell. I just want to learn.
Pro Tools (and Logic IIRC) doesn't have a mono button. This function is traditionally NOT a part of the mix bus, so is not commonly included. I can't speak to other DAWs.Gulale wrote:Sometimes it really confuses me what the hell is going on on the Propellerheads HQ. Is there a DAW which doesn't have a mono button? why the hell people think about Rack extension for a single task like mono button? Hard going.
A mono button would typically be a part of the monitor selector section, not the output of the main mix bus.
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Using a single monitor for mono has advantages over using two speakers. For one, you get a 'phantom' mono center image with stereo speakers, and it's not as accurate as a single monitor (due to subtle comb filtering between the speakers). For another, you get a true 'single source point' monitorTritoneAddiction wrote:No problem.grizelda wrote:i dont mean no disrespect but i guess theyre talking about the accuracy of that particular speaker? i dont own one but im assuming thats why they recommended itTritoneAddiction wrote:Stereo Splitter has a mono button. It couldn't get any simpler than that.
...
But buying new speakers seems like a very expensive alternative when Stereo Splitter costs 9 bucks. Or am I missing something?
So are regular (good sounding) studio monitors less accurate? What's the advantage of having a dedicated mono speaker compared to a mono button in your DAW?
I'm sure these are dumb questions, but what hell. I just want to learn.
Using an Avatone mix cube is another concept, that being to get rid of the crossover and focus more purely on the mid range frequencies.
Yes, you can use a mix cube as a mono check, but you may miss some data by using such a 'focused' frequency range.
IMO it's more important to have a single point source monitor (turning off one speaker) when checking in mono than it is to have a specific brand of speaker for mono check. But OTOH, it's ALWAYS a good thing to have more than one monitor choice when mixing!
FWIW, I use a Roland Mix Cube for mono check, which has the ability to create the mono signal internally (no need to have a mono button anywhere, just need a speaker switcher).
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- TritoneAddiction
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Alright. Thanks for the reply, appreciate it.selig wrote:Using a single monitor for mono has advantages over using two speakers. For one, you get a 'phantom' mono center image with stereo speakers, and it's not as accurate as a single monitor (due to subtle comb filtering between the speakers). For another, you get a true 'single source point' monitorTritoneAddiction wrote:No problem.grizelda wrote:i dont mean no disrespect but i guess theyre talking about the accuracy of that particular speaker? i dont own one but im assuming thats why they recommended itTritoneAddiction wrote:Stereo Splitter has a mono button. It couldn't get any simpler than that.
...
But buying new speakers seems like a very expensive alternative when Stereo Splitter costs 9 bucks. Or am I missing something?
So are regular (good sounding) studio monitors less accurate? What's the advantage of having a dedicated mono speaker compared to a mono button in your DAW?
I'm sure these are dumb questions, but what hell. I just want to learn.
Using an Avatone mix cube is another concept, that being to get rid of the crossover and focus more purely on the mid range frequencies.
Yes, you can use a mix cube as a mono check, but you may miss some data by using such a 'focused' frequency range.
IMO it's more important to have a single point source monitor (turning off one speaker) when checking in mono than it is to have a specific brand of speaker for mono check. But OTOH, it's ALWAYS a good thing to have more than one monitor choice when mixing!
FWIW, I use a Roland Mix Cube for mono check, which has the ability to create the mono signal internally (no need to have a mono button anywhere, just need a speaker switcher).
I'm looking into everything mentioned in this threadTritoneAddiction wrote:I always place Quadelactras Stereo Splitter at the end of the master bus chain for every song I make. Stereo Splitter has a mono button. It couldn't get any simpler than that.
I'm sure there are plenty of ways to do it though. But buying new speakers seems like a very expensive alternative when Stereo Splitter costs 9 bucks. Or am I missing something? Is there a difference?
You can even get kHs Stereo for free in the shop which basically does the same thing.
Yamaha DGX-650 (Controller) - Komplete Audio Interface - Asus GR8 2 - Intel Core i7-7700 3.60 GHz - 16GB RAM - Audio Technica ATH M50x - Yamaha HS 80Ms - Reason 10 - Izotope - Cubase - Pro Tools - Ableton - Epiphones - Taylors - SH*TLOAD of Plug-Ins
Even my Izotope Ozone 7 suite has a Mid/Side ability to get extra clarity but I feel I truly need a real EXTERNAL reference like a Mono Cube. Splitters help, mono buttons with certain plug-ins seem to help, but nothing feels like it does when I actually had access to a real SPEAKER in a studio setting. It doesn't feel like 'real' mono.
If that makes any sense.
If that makes any sense.
Yamaha DGX-650 (Controller) - Komplete Audio Interface - Asus GR8 2 - Intel Core i7-7700 3.60 GHz - 16GB RAM - Audio Technica ATH M50x - Yamaha HS 80Ms - Reason 10 - Izotope - Cubase - Pro Tools - Ableton - Epiphones - Taylors - SH*TLOAD of Plug-Ins
I just wish somebody would invent a one step plug in to compare Mono signals to a single/preset "Calibration" standard of Mono. That would make this whole thing much easier.
:/
:/
Yamaha DGX-650 (Controller) - Komplete Audio Interface - Asus GR8 2 - Intel Core i7-7700 3.60 GHz - 16GB RAM - Audio Technica ATH M50x - Yamaha HS 80Ms - Reason 10 - Izotope - Cubase - Pro Tools - Ableton - Epiphones - Taylors - SH*TLOAD of Plug-Ins
I'm not sure about that quality (get unwanted frequencies out), but what a mono mix check does for me it to hear what the simplest form of the mix sounds like, sans any stereo 'trickery' etc.Gorgon wrote:tl;dr
Anyway, what I heard about mono checking, is that you can really zone-in on certain mixing issues and get unwanted frequencies out. Is that right, Selig?
I can also be important in that in some rarecases you may be listening in mono (for example, an FM radio broadcast that is getting too far out of range to effectively transmit the stereo signal, which then defaults to mono).
But IMO you can definitely zone in on mixing issues, similar to how the "next room" mix-check works (walking into the next room and listening as your mix plays). It distills the mix elements down to the raw essentials, in a way giving you a 'worst case' scenario that IF you can sound good in THAT particular stress test you'll probably sound good in every other case.
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