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atonal jazz noodling
braindead bassist thought I was asking for a solo
cowbell, more
How do you arrange your rack?
- Vince-Noir-99
- Posts: 449
- Joined: 02 Dec 2015
- Location: Russia
Braindead bassists are awesomemotuscott wrote:alphabetically, left to right:
atonal jazz noodling
braindead bassist thought I was asking for a solo
cowbell, more
The rotaries and buttons are also "external" in the Main Mixer, in the insert section for all channel and master inserts. You can drag any Combinator into the insert, or browse from the Main Mixer. You can even drag multiple Combinators into an insert, but you will loose the programming of all after the first.dvdrtldg wrote:Yeah it's very handy. It's basically a combinator, but with internal rotaries & buttons rather than external. Suits me fine, since I almost never use the rotaries & buttons, just the programmerVince-Noir-99 wrote:Nice! I didn't know you could!dvdrtldg wrote:It's also really convenient to have FX already inside the programmer for CV manipulation. I often end up dragging the instrument in there as well
If dragging instruments into inserts, remember to set the insert to be "pre EQ/Dynamics" if you want to use those sections on the instruments, other wise you won't hear their effect!
Selig Audio, LLC
^^^ Not sure if I'm reading you correctly, but I just created a synth, dragged it into the Insert FX box, and then tweaked the comp & EQ on the mix channel with the signal path at default setting (i.e. DYN>EQ>INSERT). I could still hear their effect - is that what you're saying shouldn't happen?
- adfielding
- Posts: 959
- Joined: 19 May 2015
- Contact:
Haha, I wouldn't count on thatSpryx wrote:Today I learned: .... Everyone in the world is more organized than I am
I try to aim for mastering/output chain on the left, aux sends in the middle, and organise everything else to the right of that... but what really happens is two columns of random mess, some of which will be labelled but most of which will be a selection of devices with descriptive names like "Filter 1", "EQ 9", and so on.
If I use a template then everything is all nice and neat from the get go and I usually have a rack for the sends, a rack for the drums, a rack for the bass, a rack for the guitars and a rack for...... etc.
If I don't use a template, and I often don't, then for a time there will be utter chaos. I work very quickly in the early creation stages and I'm throwing things in there at a rapid pace. Once I come up for air for the first time I usually do some quick organising. I don't always go the same route as in my templates, I'll quite often have a few instrument types in a single rack, but I will use remark to separate them. I'm most concerned about having an organised Mixer section, I can cope with an untidy sequencer and rack, but a scrappy Mixer really makes it difficult later on.
If I don't use a template, and I often don't, then for a time there will be utter chaos. I work very quickly in the early creation stages and I'm throwing things in there at a rapid pace. Once I come up for air for the first time I usually do some quick organising. I don't always go the same route as in my templates, I'll quite often have a few instrument types in a single rack, but I will use remark to separate them. I'm most concerned about having an organised Mixer section, I can cope with an untidy sequencer and rack, but a scrappy Mixer really makes it difficult later on.
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Noisemaker...
Noisemaker...
- Benedict
- Competition Winner
- Posts: 2747
- Joined: 16 Jan 2015
- Location: Gold Coast, Australia
- Contact:
My Rack is on a second screen on the left of my Sequencer/Mixer screen.
Rack 1: Under the Master section I have any Sends
Rack 2: Right of that I pop Drums and Bass (and any Rhythm Bus)
Rack 3: Next, melodic synths and arpeggios, generally in the order they are added. Sometimes I rearrange to keep the more more important lines up top/together.
Rack 4: Finally Sound Effects
When I take other people's files it can take a lot of time to work out the jumble of sources and CV cables. Like Selig says, consistency is the key as it makes sense not to have to reinvent the wheel every track.
Rack 1: Under the Master section I have any Sends
Rack 2: Right of that I pop Drums and Bass (and any Rhythm Bus)
Rack 3: Next, melodic synths and arpeggios, generally in the order they are added. Sometimes I rearrange to keep the more more important lines up top/together.
Rack 4: Finally Sound Effects
When I take other people's files it can take a lot of time to work out the jumble of sources and CV cables. Like Selig says, consistency is the key as it makes sense not to have to reinvent the wheel every track.
Benedict Roff-Marsh
Completely burned and gone
Completely burned and gone
- MannequinRaces
- Posts: 1543
- Joined: 18 Jan 2015
Top to bottom, haha.
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