I disagree. The apps being discussed are no less juvenile than any other mobile music production app - their value is determined on whether or not musicians can find a use for them. I totally understand that you may find them juvenile (as you clearly have no need for them), but that doesn't negate their value or usefulness by any stretch.Namahs Amrak wrote:Which brings us back to the OP's musings, before it got buried in users justifying a range of juvenile apps. The primary focus is shifting away from Reason.
I also understand how you and others may feel that Propellerhead's primary focus is shifting away from Reason (due to their website redesign, Discover, etc), however; Reason still remains the first product in their list of products, clearly holds the most power as a full production suite, and (likely) retains the highest return on investment (between straight license/upgrade sales and RE profit sharing).
If anything, their focus has shifted to broadening the products that Reason works with. This, in turn, empowers Reason even more and makes it more valuable.
I also see a regular reference to teenagers (not just by you, but by others). I would argue that a person's age has nothing to do with this. As a teenager, I spent money probably just as much on my craft as I do as an adult (although... perhaps more recklessly)... That said, I was still a paying consumer at the age of 17 just as much as I am as an adult. But yeah - I do feel that this demographic is a potential gold mine to be tapped, so we're likely in agreement on that bit afterall.
(..And although this is a topic of an entirely different sort of discussion, one could argue that most people are their most creative/experimental when they are in their teens and early 20's anyway. But, I digress... )