Hi guys,
hope you're all well. I'm on the hunt for a reverse delay effect for recording my electric guitar into Reason real-time. I've been using my TC Electronic Flashback x4 pedal for reverse effects in a live setting, but I'm having a lot of issues capturing it in Reason (noise/ground hum/etc.). Moreover, an RE would allow more flexibility for editing later on. Any recommendations would be very welcome!
Recommendations: Reverse Delay RE For Real-time Use?
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Currently Northampton, England
Originally Strabane, N.Ireland
+ if there's the option of muting the dry signal, that would be marvellous also
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Currently Northampton, England
Originally Strabane, N.Ireland
https://noelgriffinmusic.com/
https://noelgriffin.bandcamp.com/
Currently Northampton, England
Originally Strabane, N.Ireland
Think I've found the solution:
kHs Reverser RE going into a standard delay. Seems to work so far!
kHs Reverser RE going into a standard delay. Seems to work so far!
https://www.facebook.com/NoelGriffinSounds/
https://noelgriffinmusic.com/
https://noelgriffin.bandcamp.com/
Currently Northampton, England
Originally Strabane, N.Ireland
https://noelgriffinmusic.com/
https://noelgriffin.bandcamp.com/
Currently Northampton, England
Originally Strabane, N.Ireland
You can "mute" the dry signal in the ssl mixer by putting the fx you want in the SEND and enabling SEND fx and PRE button and turn down the volume on the track.
Thanks Marc64
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Currently Northampton, England
Originally Strabane, N.Ireland
https://noelgriffinmusic.com/
https://noelgriffin.bandcamp.com/
Currently Northampton, England
Originally Strabane, N.Ireland
- Jackjackdaw
- Posts: 1400
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Polar Dual Pitch shifter has a buffer that can be reversed, frozen and mangled. It can do some wild stuff, I haven’t managed to tame it yet though. It gets out of hand pretty quickly.
Rob Papen has a new delay too (VST)
https://www.robpapen.com/rp-delay.html
https://www.robpapen.com/rp-delay.html
Yeah, I've been using it lot and know exactly what you mean! I'm a big fan of its StutterVerb (in Tweak) patch with the dry signal off - some very bizarre sounds to be hadJackjackdaw wrote: ↑07 Apr 2019Polar Dual Pitch shifter has a buffer that can be reversed, frozen and mangled. It can do some wild stuff, I haven’t managed to tame it yet though. It gets out of hand pretty quickly.
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https://noelgriffinmusic.com/
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Currently Northampton, England
Originally Strabane, N.Ireland
https://noelgriffinmusic.com/
https://noelgriffin.bandcamp.com/
Currently Northampton, England
Originally Strabane, N.Ireland
Not yet mate, but I'm gonna get on it this evening. Thanks!
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Currently Northampton, England
Originally Strabane, N.Ireland
https://noelgriffinmusic.com/
https://noelgriffin.bandcamp.com/
Currently Northampton, England
Originally Strabane, N.Ireland
That's certainly a mean delay! I like his Reverb RE a lot and have used it for specific spacial effects. Might give his vst a trial run. Thanks!Soeno wrote: ↑07 Apr 2019Rob Papen has a new delay too (VST)
https://www.robpapen.com/rp-delay.html
https://www.facebook.com/NoelGriffinSounds/
https://noelgriffinmusic.com/
https://noelgriffin.bandcamp.com/
Currently Northampton, England
Originally Strabane, N.Ireland
https://noelgriffinmusic.com/
https://noelgriffin.bandcamp.com/
Currently Northampton, England
Originally Strabane, N.Ireland
- diminished
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There's also the new Reverse Effect:ionly wrote: ↑12 Apr 2019That's certainly a mean delay! I like his Reverb RE a lot and have used it for specific spacial effects. Might give his vst a trial run. Thanks!Soeno wrote: ↑07 Apr 2019Rob Papen has a new delay too (VST)
https://www.robpapen.com/rp-delay.html
https://www.robpapen.com/rp-reverse.html
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- JiggeryPokery
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Steerpike is way more flexible as it can do it all in one device, with far more options for creative delay and reverse delay effects, e.g. you can mix standard and reverse delay, then add filter or reverb on any channels. You also have far greater control over when to trigger the reverse and sync times. You can also mute the dry signal into the wet via a gate, while keeping the existing wet active, which is quite different to merely mixing a dry/wet output, as it means you can have long feedbacks without building up the input indefinitely.
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