$699 USD
https://www.akaipro.com/mpc-one
EnochLight wrote: ↑15 Jan 2020Well, I didn't see this coming. Nice that it's an entry level MPC, and it affirms my decision to buy an MPC Live last year (as this means the OS/firmware will continue to be supported and developed):
$699 USD
https://www.akaipro.com/mpc-one
/www.youtube.com/watch?v=v0A-db-eUn0
www.youtube.com/watch?v=zzM38LNaBQU
Just some things to keep in mind, compared to the MPC Live (which retails for $300 USD more), the MPC One has some differences:
Funny enough, the MPC Live (which retails for $1000 USD) also has a 3.5 mm headphone ouput. I think Akai's reasoning is that the vast majority of people in the world all have earbuds for their phones, so a 3.5 mm jack just made sense. The X has a 3.5 mm jack along with a 1/4" (6.35 mm) proper, but that obviously stays put in home studios where most will have a set of cans.
EnochLight wrote: ↑15 Jan 2020Just some things to keep in mind, compared to the MPC Live (which retails for $300 USD more), the MPC One has some differences:
Still, if you're looking to save $300 USD over the Live yet get your foot in the door of the MPC, I'd say the One is a perfect gateway. And since the One, Live, and X all share the same OS (with the Force as well), it's guaranteed that it will continue to be supported with OS updates and firmware features for the next several years.
- No battery (so it must always be plugged in to a power source)
- Smaller pads.
- No phono pre-amp in for sampling a turntable
- No ability to add a SATA drive (though it does have an SD port)
- No Bluetooth (so no wireless MIDI controllers)
- No WiFi (so Ableton Link must be obtained using the wired Link port in the back)
Thanks again for the heads up. I don't Ableton or Wifi Audio - but I may - and, I rarely Phono, but I have modules for phono GAIN.Ixus wrote: ↑16 Jan 2020Dammit. I've been eyeing the Blackbox and Digitakt as an alternative to just making music in DAW. But what always stops me is the workflow that just doesnt look like its for me. This seems a bit easier to get into, maybe its the screen that does it, but i have som GAS building for sure!
I like the shape too looks great
I hope it has time stretch.
EnochLight wrote: ↑15 Jan 2020
Just some things to keep in mind, compared to the MPC Live (which retails for $300 USD more), the MPC One has some differences:
...
- No battery (so it must always be plugged in to a power source)
- Smaller pads
- No phono pre-amp in for sampling a turntable
- No ability to add a SATA drive (though it does have an SD port)
- No Bluetooth (so no wireless MIDI controllers)
- No WiFi (so Ableton Link must be obtained using the wired Link port in the back)
The One, the Live, and the X all have time stretch in standalone, but it handles it a bit different. You've got a high-quality non-realtime time-stretch option where you can stretch samples accordingly to match tempo or for various effects by rendering them out to new samples, and then you have a real-time warp option - which - in standalone - does NOT sound the greatest, IMHO. There are MPC-heads that swear by the current MPC "warp" sound, but coming from a proper DAW where audio warping usually sounds indistinguishable from the original audio (give or take a reasonable change in tempo or pitch) I feel it's grating. YMMV...
Just watched that last night. It's actually a good guide for those even interested in the MPC Live and X, though the shortcut keys are different (or in the case of the Live, only accessible via the main menu). Loopop's channel is awesome.
EnochLight wrote: ↑10 Feb 2020
Just watched that last night. It's actually a good guide for those even interested in the MPC Live and X, though the shortcut keys are different (or in the case of the Live, only accessible via the main menu). Loopop's channel is awesome.
Hahah! Yeah, I don't think you'll be disappointed. It's a fun little machine and a great sampler/sequencer. And the bonus? It just keeps getting better as Akai releases regular firmware updates throughout the year adding more features - all for free. They don't even charge for their major version releases.
Tracking says it'll be delivert tomorrow from Musician's Friend. "In Stock & Ready to Ship"
I hope to read INTRO pg 1-10, MPC ONE pp 21-24, and OPERATIONS pp 55-104 in full - by Tomorrow.
Indeed. I do not like the tether.
The problem with making Maschine fully standalone is that it relies on such a robust software suite that requires desktop/laptop class processing, RAM, and performance to function. If they make a truly standalone Maschine, they'll need to really invest in making truly standalone desktop/laptop class hardware to run it - which I would imagine won't be cheap and won't be easy to engineer. Or they'll need to scale down the software to make it run light, which will likely come at a features cost.PhillipOrdonez wrote: ↑12 Feb 2020Indeed. I do not like the tether.
Currently it is being used as an oversized soundcard and nothing more. Not even collecting dust cause I got the decksaver
Perhaps, but the new MPC's obtain this standalone/hybrid mode by making the Touch User Interface OS the exact same, feature-wise, as when it's tethered - with the exception of giving you access to a better Warp quality and allowing you to load VST's and have unlimited audio tracks when tethered to a computer running the desktop MPC Software.Jackjackdaw wrote: ↑12 Feb 2020But the USP of new MPCs is that it can be stand alone and hybrid. That's the appeal of the platform to me. Surely Maschine could go the same route?
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