That record scratch when he explains that you don't have to set gain and that there are no gain settings
Sounds very promising soundwise. Not sure how I feel about the form factor; particularly the knobs and their layout. If the knobs are only serving as faders, and if there is no gain setting when in 32-bit mode (which I'm guessing will be the biggest appeal of this), and the fader level seems to only really be serving for monitoring when recording, not sure I would need them to be so large. Looks also to be a bit cramped.
But really cool the idea that you could import an audio file that looks silent, hit normalize, and get an audio track that sounds as good as if you had proper gain and levels set when recording is a game changer.
From Curtis Judd's video description:
Zoom just announced their new F6 field recorder for location sound audio recording. Rather than just tweak the form factor, which they did, they also moved to dual analogue to digital converters which record to 32 bit. So the way you record changes pretty dramatically. When recording to 32 bit, you don't set the gain trim (there is none), you simply adjust the fader for each input channel. If you missed the level, no problem, in post you can cleanly normalize to the levels you need with no degradation in audio quality.
They've also switched up a few other things: The screen is a slightly smaller version of the high resolution screen from the F8n, the back of the recorder is a Sony NP-F (L series) battery sled, and you can now power the F6 via its USB-C input. The same quality timecode generator from the F8n is on board, this time with a 3.5mm TRS input/output jack. The F6 has a single SD card slot for recording media and still includes the advanced hybrid limiter when you record in 24 bit.
Auto mix is included and the with an adapter, you can use the Zoom Control app for iOS. You can also use the Zoom F-Control control surface.