Repeating bouncing ball effect by modulating one lfo with another (using pulsar), then triggering a cv gate with that lfo. Here is a demo (retriggering resonans):
Using the echo with wobble and no feedback 100% wet as a tape effect. Modulate the lfo amount at key moments in the song for a kind of stereo buildup effect. Used to the max in this tune:
Take a sound, add delay, reverb, reverse it, add delay, reverb, reverse it, add delay reverb, reverse it.. sounds etheric.
Used in the flute sound at the beginning, i recorded me playing some flute then applied this effect
http://realisation.org/albums/million%2 ... urreal.mp3
Use separate, different lfos to slightly modulate each oscillator and filter in a thor (using the built-in lfo and external cv inputs).. add a bit of saturation. creates that vintage analog vibe. Lead in this tune:
On thor, 100% kbd, no env or velocity on comb filters with lots of resonance, send a sawtooth into it after you tuned as much as possible the saw to the comb filter.. then play a note, add pitch bend - sounds really weird and haunting.
Vintage Polar.. pitchbend down 7 or 12 notes with one polar, then add another polar bending back up to the original frequency. Use different modes, adds a kind of vintage vibe.
I'll leave the last two for you to try out yourself