I listened to this album a lot around 2010 or so after my dad passed away for you know, reasons. I've always really been into drone and a record I did round then had a couple of reviews saying I'd been influenced by her, and though I'd seen her name around I'd never really picked up on her stuff - I'm really glad I did. Her early work is interesting too, pre synthesizer she was doing things with recording microphone feedback iirc, I haven't listened to it in a long time but I remember really liking it.
About the same time I was playing a lot of Thomas Koner's albums Teimo and Permafrost, really lovely which you should check out if you haven't heard them. Drone has been a big part of the NZ experimental scene, especially in the late 90s and the 2000s. Campbell Kneale is the guy overseas people into that stuff seem to know (as Birchville Cat Motel) but for me probably the most interesting is Surface of the Earth. I think I've posted this before but this is a lovely performance they did at the lines of flight festival they did in Dunedin last year -
which I was lucky enough to see.
and also, a blatant bit of self promotion, an album I did ten or fifteen years ago which is maybe the best thing I did like this?
it's made entirely with guitar loops put through shit loads of reverb and delay and fiddling around with pitch shifting.
dvdrtldg wrote: ↑03 Nov 2024
rorystorm wrote: ↑30 Oct 2024
Eliane Radigue's Trilogie de la Morte. Very very beautiful long form drone music. If you have the right ears for this kind of thing its the standard by which everything else is judged.
Yeah I love this. I just recently started listening to some of her post-2000 acoustic instrumental stuff, the Occam series which isn' quite as powerful (imo) as her electronic work but still awesome