I really need to get rid of that ctreitzell acct!

I am soooo late to the Player party; been tracking as normal this past year. Yesterday I bought the player bundle with Drum Seq and Kompulsion Spent my first day with Kompulsion today...my word that RE is incredible...I'm blown away computer is improvising with such taste...obviously a user has to s...

Recent bought this keyboard I find quite useful - but of course a little expensive solution. https://www.thomann.de/dk/editors_keys_backlit_keyboard_reason_win_uk.htm?sid=29c9be7f6a388770201cea1bc1e3ea90 Well, it's not a solution for MISSING shortucts, but I'm shocked it's still being made consider...

hey, I agree with you if you read the whole thread you'll see I misunderstood the OP and then I went thru trying to do what OP asked... I did find some unexpected benefits not outlined in the Operation Manual like how to select a clip in a lane if there is no clip currently selected ...it isn't muc...

I used version 4 until version 10. I started with Rebirth and Recycle back in '98. Both legit purchases. My Reason upgrade path was 1, 2.5, 4, 8, 8.3, 10. I was sooooo looking forward to the Reason release and loved it from the get go. The mistake I made back then was trying so hard to use USB midi...

I have suggested a feature that would "lock" clips together to ensure that comps, slice edits, or pitch edits could be synced together, and that dragging one on the sequencer would bring the others to the same location in time. I'm glad to see this being discussed, this is the first I've seen other...

many, many keyboard shortcuts already assigned; they just need to be learned. You are essentially talking about how Reaper works, where the keyboard shortcuts can be customized Is that what you want for Reason? Not me I know the shortcuts. There aren't enough of them. The less I need to use the mou...

I was churning through the Keyboard Shortcuts yesterday. Press [*] in number pad and this is a punch in, no? Or do you want the punch in to record to new LANES? or... You want the punch in to happen WITHOUT having to have a spare hand to hit a key/button, preferably after a user defined amount of p...

motuscott wrote: ↑

14 Dec 2020

Big plus one as a guy who records 7 or 8 tracks of drumkit at a time. This and punch in.

I was churning through the Keyboard Shortcuts yesterday.
Press [*] in number pad and this is a punch in, no?
Or do you want the punch in to record to new LANES?
or...

OK, my workaround does work fine; It is clear that this condition of one comp edit per track is sensible from the devs POV: imagine if you have 7 mic tracks with 7 takes you are gonna have a mess! My workaround is fine; the biggest problem is being required to double click into comp edit mode each t...

yeah, sadly, the better keyboard answer is kinda valid I am using a LogiTech Craft and learned a fair a bit here... number pad area with a bit of timeline and transport nav I couldn't get into the Tool Window :-/ I think it is fair to say Reason does not cater to deep keyboard shortcuts like Adobe a...

F8= Tool Window
can we get in this way?

so far, no good for me...
[alt] and [tab] and variations of them= navigating the LANES views and remove focus from the selected midi note...

manual sez: "To edit the events in a note clip, open the clip by double-clicking it, or select it and press [Return]." :-/ by which action was said clip SELECTed anyway...when the Seq View is first opened; the TRACKS, not the LANES have focus so, the cntl+enter gets us into the lanes where Arrows U/...

OK, I am ready for you to teach me :-D [my current job has a bunch of tracks both audio and midi we are both on Win, so that helps] back up a minute... so: -focus on Seq Window= F7 -select a MIDI track= up/down arrows how are you selecting a clip from here without mouse/ trackpad? Arrow r/l doing no...

I read your entire post. You are clearly a complete newbie to Reason, I was kindly trying to help. You will find I answered a couple of your questions, in detail No swearing, no contempt...just being helpful I assumed if I got you rolling you'd be able advance on the other Qs on your own, whoops! Y...

Will this work if the recorded source is not already stereo? I don't think so, my example is for the exact same performance, and you should set up the stereo recording "à priori". I don't think it is usefull for drums. I am talking about the exact same performance on multiple mics as I said, it sho...

They should make all editing functions assignable to shortcut keys. Problem solved. many, many keyboard shortcuts already assigned; they just need to be learned. You are essentially talking about how Reaper works, where the keyboard shortcuts can be customized Is that what you want for Reason? Not me

it's all pretty easy almost always left click is the answer where you put the pointer, which tool you have, which view you are in kinda matters more Yes, "it's pretty easy" - just read the damn post you're replying to :thumbs_down: What did I do? I mean, your welcome. With such rudimentary question...

Anyway, if you're recording a source like a guitar, you can put the 2 mics as source for a single guitar stereo track and make the cuts on the stereo track comp editor, and if in the end you need it in dual modo, just separate them with 2 mixer channels. at first I was like, what is the "stereo tra...

it's all pretty easy almost always left click is the answer where you put the pointer, which tool you have, which view you are in kinda matters more the best way to approach it is look at the keyboard shortcuts in last pages in the user manual where you are getting stumped is literally Reason Sequen...

Yeah, OK, so my previous workflow I suggested doesn't work What will be the trickiest part is choosing which takes after copying and pasting the cuts and crossfades Here's what I have working (that I am sure you others who've been wrestling with this already know) ***BEGIN EDIT also, to clarify I a...

(...) similar to human hearing of audio resolution, essentially 96KHz the Reason res used to annoy me; but it does work fine as jumpy as it is :-) all that said, machines can notice the minute differences. For example, when I process Noise Reduction, there is a noticeable difference between a 16 bi...

Yeah, the only way I can see doing this currently is: ***EDIT: This does "work", but not very efficient*** 1- create a new track 2- copy the uncomped clip to the new track 3- copy the comped tack on top of the uncomped track 4- drag clip handle to the cut or just beyond 5- cut the uncomped clip and...

OK, seems like it is possible to copy the cuts and cross fades from one track to another just select the cuts on the source track and copy> then enter comp edit mode on the destination track and paste but it doesn't seem to work ... hmmmm ***EDIT: It does work; just have to ensure SNAP is OFF and Li...

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