I agree with all of the above

I didn't like the unwanted portamentos with Ochen K Microtonal when plugged into the pitch bend socket. So I used an "osc pitch" socket, but got the microtone settings from Zvork selector's. But "osc pitch" socket have only old stock devices... And how many resources does such a system require with ...

How wide polyphony do you need to play? Wouldn't 8 voices be enough for one instrument in most cases?

Alt+click on tempo is perfect solution. Or you can to save template with active tempo automation lane.

my concern has always been that the frequency of the control signal is 64 times less than the frequency of the audio. Is this enough for the inaudible operation of the device?

I recently had an issue with incorrect rendering of an vsti with a lot of automation in a heavy project. Maybe if you disable this setting, the result will be better.

Mark_B wrote: ↑

22 Feb 2023

*** I wondered about ONE Control Pro and DAW Control. Has anyone used either of these to control Reason (12)?

Thanks.

I have TouchOSC, but it works without feedback of controllers info, dont receiving parameters from DAW.
But its editor can help build a setup for different needs.

Nice work, a lot of thanks

How about into Blue Cat's PatchWork and midi loopback?

Now it’s clear, I never used it follower separately.
I would like to know the opinion why such a picture when converting cv to audio is on these devices. Some filters (like kHz) give a normal image, some have similar spikes in plus and minus. I still don't understand why this is happening.

Another solution - EXP1 Expression processor

Through Thor:
CV in - Audio out -- Audio in - CV out
Between audio in/out inserted Pulveriser (and other filters in my tests)

Missed this before: "Ive tested Pulver and Etch - results have bipolar instead unipolar wave." Pulverizer is only bipolar if you start with a bipolar source! If you feed it a gate, for example, the result is not bipolar. Make sure you set Matrix to unipolar if that's the results you're looking for....

I thought that was what TS was looking for.
And yes, as a result, the steps are smoothed out.

selig wrote: ↑

28 Dec 2022

Better yet, just use Pulveriser!

Ive tested Pulver and Etch - results have bipolar instead unipolar wave.
But if I use follower I receive isnt precise wave.

p.s.
kHz Filter and Janitor waves:

Or you can use LP audio filter.
Best for it - kHz Filter (or same).

Combine it

MrFigg wrote: ↑

09 Dec 2022

Aaa…but the click on the vocal track I recorded 30 years ago was me tapping my foot

and probably more quickly at the beginning than at the end?
this fall I also my 30-year-old cassette tracks aligned to tempo

Several times I used this method, but in my case I did not require high accuracy in sound and I mastered a faster method.
You need to open the audio in slice mode, remove all slice markers and set manually on each bar of the song.
And then quantize it to bars of grid.

Simple UNI transformation in BI will give the middle of the range, which turns on when not a single key is pressed.
It will be an extra and unwanted note

Thor ? Care to elaborate? Or maybe upload an example patch if you have the time... Using the “Voice Key/Note 2 (octave range)” source and send to CV output. You’ll have to do a few other things like set Thor to mono mode, and scale the CV output for note so it lines up correctly (I did this earlier...

selig wrote: ↑

04 Dec 2022

You may also be able to do this with Thor as well (of course, Thor again).

Dunno about Thor but RPG-8 solution is there
viewtopic.php?p=393945#p393945

(and i have little tweak of it with switches 1-2 octaves and shift -3 +3 octaves)

Very interesting project, thanks for your work

tell me please, in the new version there are no improvements to the VST-wrapper in midi?
for example, receiving midi-CC directly, expanding the list of controllers in the combinator programmer, etc.