Easier way to do it is drag your sampler in to the sequencer, click on the clip and in the tool bar above the sequencer there’s an option called transpose. I believe that’s what you are looking for.


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The pm dawn sample is from a song called Ashley’s roachclip




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I think I found another one. When I have two drum sequencers to Kong the first lane triggers the 1 pad and the 9 pad.


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So.....it seems that softube is not available in subscription form. Tube tech was the only reason I wanted to try subs out. That's pretty disappointing


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I'm gonna pass on this. I have all the REs that I want at this point.


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I've got a few and I love them


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Except for a few rack extensions I have switched over to mainly using the waves VSTs


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Sounds really good


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Waves plugins are actually very, very good and you can tell from the manuals of each plugin that they're really proud of their plugins. The manual for the PS22 Stereo Maker is particularly noteworthy for the (now deceased) author's enthusiasm in showing you how to use the plugin the best way possib...

Anybody else finding that the tuning of spire is off from other all the other synths?


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Got it


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chimp_spanner wrote:My. Body. Is. Ready.

Destiny fan ?


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grab decimort2 and put some sampler-style grit on your drums. it is 1000000000% worth the money What will decimort2 give the drum samples? Hepcat...just been on Who Sampled and the drum break from Liquid is Liquid is from this track:- https://youtu.be/_UFYHKzHokU?t=165 But there's obviously another...

Couldn't you set the player to record directly to the track then create a new note lane and play your separate part?


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I'm not a fan of the new layout. It feels much harder to get to where I want to go.


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Nice tutorial. I'm gonna go try it out.


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Oh sorry I forgot to say. I'm using samples. And I'm not going for it just sounding louder. I'm going for that awesome "sizzle"quality I hear in the 70s and 80s hi hats. Sent from my iPhone using Tapatalk To achieve that kind of sound I can highly recommend to utilize a Ring Modulator. I often put ...

I'm not sure with electronics.....but in real drums the hats are buried way too often. If you have a loop and need to get them more present some compressors will work. Ok, just needed to vent that, now back to scheduled programming Lol that's what I loved about those hi hats. To me they were very l...

Oh sorry I forgot to say. I'm using samples. And I'm not going for it just sounding louder. I'm going for that awesome "sizzle"quality I hear in the 70s and 80s hi hats. Sent from my iPhone using Tapatalk To achieve that kind of sound I can highly recommend to utilize a Ring Modulator. I often put ...

Thanks for the reply. I was very tired when I wrote that and hadn't had a chance to think. I just realized I can possibly record them hot then bounce that to audio and possibly get the desired effect. Sent from my iPhone using Tapatalk Do you mean real hats, sampled hats, or synthesized hats? A gen...

Thanks for the reply. I was very tired when I wrote that and hadn't had a chance to think. I just realized I can possibly record them hot then bounce that to audio and possibly get the desired effect. Sent from my iPhone using Tapatalk Do you mean real hats, sampled hats, or synthesized hats? A gen...

Oh sorry I forgot to say. I'm using samples. And I'm not going for it just sounding louder. I'm going for that awesome "sizzle"quality I hear in the 70s and 80s hi hats.


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Thanks for the reply. I was very tired when I wrote that and hadn't had a chance to think. I just realized I can possibly record them hot then bounce that to audio and possibly get the desired effect.


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I was wondering if there was a way to get the high hats to sound right at the edge or right over the edge of being too loud but still sitting very low in the mix?


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I'm feeling the same way as the others. I didn't like the new browser but as well. But at this point I can't imagine using reason without it.


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