If you are talking about sample- based music - Use good samples!!  Really, this philosophy works best in my opinion. +1 Good sounds / samples is 90% of your drum sound. You will benefit of browsing folders and finding your favorites e.g. kicks that actually work in a track, then repeat the same pro...

A little too late to the party, but a great share anyway!

I believe Tone2 used share.it for years and just recently switched to their own shop (or at least integrated it better into their site).

For ReFills you may get your products into the Nucleus Soundlab shop, as they sell several ReFills from different guys.

Well, who knows if developers at this point can be argued into developing Rack Extensions? I kinda try to get my e-mails out at least once a year to ask for something, but then these devs may already check newer SDK frequently by themselves.  Might be just me, but I think people who really want to g...

Good stuff!

Basically -  http://en.wikipedia.org/wiki/Head-related_transfer_function You have several models that you can choose from to give the impression of a real sound stage using headphones. Not my cup of tea. There a numerous plug-ins and products that do the same thing, but this is the one Rack Extensio...

Great, just great...


















:m0358:

I got the studio bundle, consisting of A, Q and D. Over time I have to say, more or less all of these got replaced by something else. D is probably the only one of the bunch I still use regularly, then again, I don't find it intuitive to patch, so it's rather preset browsing. A is still nice in my b...

I also enjoy making music just for the sake of making music. That's it. Songs sometimes feel "forced" and most likely, never turn out the way as those *innocent* noodles for myself!

I got it in my bookmarks, under "someday, I should get this".  Maybe someone can help me here. Obvious, I can listen to the signal in mono, trim the signal and have a clear out peak meter to look at for gain staging. Pretty much what I can do in Reason/Reason Essentials as well. I'm more interested ...

IchMensch wrote:Here is my little noodle so far...

https://dl.dropboxusercontent.com/u/130 ... Improv.mp3

PeterLansford wrote:
Very nice and inspiring vibe in your noodle!  Thanks for sharing.  

Thanks Peter!

Very affordable indeed. I had Tracktion 2 and 3 in use and still have both licenses. There are many great things to say, like the routing possibilities and the modular approach for insert effects, but also a lot of weird things I never could get work-flow wise. Overall, I really wanted to like this ...

Always amazed me what the Korg *legacy* stuff can sound without much or any effects applied, but I do remember the effects from the VST and from my memory, they were rather nice. The only thing I dislike about the Mono/Poly is the huge lists you get when using the modulation matrix. It does sit nice...

Just edited my first response with another idea.

I like the sound effects appearing about 1:10ish and the average "break" of the track there. Solo lead after that is also rather nice and also the first time the song itself gets a "theme", for me at least. Before that, it rather felt like "well, he did transpose stuff up and down" if that makes any...

Sample start is somewhat different as far as I can remember. One beauty of NN19 was to use it as a simple granular device. In NNXT you can do alike things via velocity though. I liked NN19 for being more accessible in general. It's also one of the device I'm looking forward to the most, should I fin...

I bet someone said that already, but if they can offer unlimited, free mastering, even in lower quality, there is definitely one preset / process for everything. Makes you wonder why you should even care to go for the *pro* service. I guess that's the equivalent of throwing a Soundgoodizer (FL Studi...

Thansk for the other links and videos and to Selig of course! I know, leaving or pushing one bar more can make things more interesting. I used to DJ for as long as I produced and there is a lot of anticipation involved in the type of music I was mixing, up to a point where you could mix records you ...

IchMensch wrote:GDidn't know this was *famous* outside of Germany.

TheFatControlleR wrote:
I'm sure it was in the top five in the UK at the time (I still have the 7" somewhere). :s0547:

With original lyrics?  :s0230:

I know even Kraftwerk and Nena changed the lyrics for the English listeners.

And yup, Essentials only so no Thor.

My mate started to noodle around with  Arduino . He's also working on his own  Word Clock .  Basically, from what he's trying to tell me is that most MIDI controllers out there are overpriced crap. Even more so with large numbers, build in China. Of course, this topic is about a new analog synthesiz...

Great share (though I don't have Thor)!

Didn't know this was *famous* outside of Germany.

Seems like ACE (u-he) as hardware.  Or maybe Aalto. (I love that thing!)

The cool thing about software, you can mostly hide it from your significant other...

aka I'm out. 

eauhm wrote:Not entirely on topic.. but i thought i get some more examples anyway

Bridge - Amon Tobin : 5/4 
Moderat - A New Error : 6/8
Eskmo - Hypercolor : 3/4 Dubstep-ey
Micronost - Got Mad Love : 5/4

Appreciated!

Thanks a lot to both of you! Seems to make more sense to me now and is also easier to grasp, if it comes in measures / sections I'm already familiar with. :) Thanks for the links eauhm. Of course, I know waltz. Here is my little noodle so far... https://dl.dropboxusercontent.com/u/13085691/PianoImpr...

Think my explanation is somewhat wonky. :D Basically, you got it right. If 4/4 correspond to 4, 8, 12, 16 bars, 3/4 would correspond to 3, 6, 9, 12 etc. At least that's what I was thinking and apparently you're on the same track. But can music written in 3/4 also be arranged, with sections lasting f...