Cheers. Sine waves sound good for a lot of effects but what about EQ based stuff? The effect I was working on was an amp cab - what would you use?

Music? White noise? Pink noise? Hmm...

Oh - I agree that it's a good idea.

Hi guys, I present to you the next step in making ReasonTalk the #1 place for Reason users, Refill creators and Rack Extension developers alike! I'm a few versions behind, so I can't test new REs, but I imagine I'm not the only PUF regular who didn't become an RT regular. Out of curiosity, have you...

I'm not sure what you are asking here, whether you want an infinite CV signal as an end in itself or you want the CV to facilitate a continuous pitch increase from 0hz to the end of the audible range. I want the cv to slow or speed a delay line so that the incoming audio's pitch is changed, for lon...

A CV can't got forever as it can only travel 0-1. Besides after a while the delay would become so long it would cease being Chorus and become a Grand Canyon echo. There is a way to do "endless" flangers but I have never looked into it in Reason. Will a Pitch Shift do the trick: Polar or Audio Track...

I'm playing around with pitch effects, using cv controlled delay times. But I only get the desired pitch for a short amount of time. Also, if you use an lfo, the Echo has a static delay time for half of the cycle - bug?

No, that keeps the envelopes from retriggering.

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I've always though that Zevon's stuff was well done on a technical level but it only just hit me just how well this song is mixed. It doesn't hurt that it's a simple recording, of course, but still...

Polar. I haven't tried it, though. Neptune CAN but sounds bad. You can record, duplicate the track, and repitch in the sequencer, if you don't care that it's not real-time.

Do you know what, exactly, the x and y controls do? Trial and error hasn't gotten me very far.

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selig wrote:Thanks for the reminder, I really need to spend some more 'quality time' with that synth!

I've mimicked the Electra-Piano with it... Weird but powerful.

Cheers.

Now that my cloud service is cooperating... https://copy.com/bm23Io69IcijXwz3

A few passes at each transposition. No pitch correction.

joeyluck wrote:What is inconsistent about it?

I recorded a few passes at -12 and +12 - they're different.

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Out of curiosity, anyone have an idea of how to make a combi that does this?

I'll try that - thanks!

There are a couple of envelope followers but that's not quite what I want - I want to use audio to generate a gate signal. Any ideas?

Thanks.

eXode wrote:Thor II...

On the topic of more filters, I'd love a modeled ARP 4012. (System 500 and 2500 filter module models wouldn't hurt, either, but can wait.) A sustain stage for the mod envelope would be useful, too.

Who are the other two people using 6.5?

There's a Remote workaround, I'm led to believe.