I tried to track a couple vocalists today and had to switch to Pro Tools because even just playing back audio I was getting all kinds of crackling and popping. My computer wasn't even breaking a sweat in terms of performance (I'm running an AMD Ryzen 9 5900x with 64gb of RAM DDR4 running @ 3600mt/s)...

Not sure either :) I thought you're making a quantum physics theory-like argument, that the signal on the master doesn't clip while being there (which technically might be true), until you send it to master's output, i.e. to a file or speaker, because it needs to be converted from math to "reality"...

I would say that a well balanced mix has all faders at zero and is only used for automation. I often find that it's a patch or insert effect setting that creates the overload. Nothing makes me happier than finding the culprit hidden somewhere deep inside a combiner. It's always best to catch it ear...

Loque wrote: ↑

21 Jan 2024

bxbrkrz wrote: ↑

21 Jan 2024

We use this very accurate tool to predict the future of Reason.

That must be AI generated. It has so many failures...

Hahaha that is hilarious - I really can't stand AI art for this reason to be honest.

Ben voyons donc j'en reviens pas! :lol: Disons que je suis d'origine Québécoise mais pas tout à fait Québécois de souche Ahh bin voilà! Moi je suis tout ce qui a de plus souche. Rive sud de Montréal. T'es un usager de Reason de longue date? Moi je suis un vieux trippeux qui a pas tellement de forma...

I would definitely stick to the method provided by @jam-s for bouncing loops since that method will, as he explained, help preserve whatever FX tails might be present and therefore give you a more "accurate" loop. I would however strongly recommend having a good look at the Delay Compensation secti...

You need to use Ozone as an insert in the Master Section for Delay Compensation to work. From the manual under " Delay Compensation Limitations ": The method from the post above yours worked but I will also try yours :) Thank you!! I would definitely stick to the method provided by @jam-s for bounc...

As far as accuracy goes I don't think you'll find a better app than NIOSH SLM as it is the only app (as far as I know) that shows any compliance with SPL metering standards (especially relevant to workplace safety and live sound applications). However, if you want fairly accurate readings then even ...

Playing with Reason's delay compensation does not fix the issue. I assume I'm just connecting it incorrectly. Reason.png Can anyone give me a few pointers? Thanks! You need to use Ozone as an insert in the Master Section for Delay Compensation to work. From the manual under " Delay Compensation Lim...

Seems pretty cool! Not clear on how to enter but please throw my name into the hat

jam-s wrote: ↑

19 Dec 2023

https://careers.reasonstudios.com/jobs right now they don't seem to be looking for new devs.

They just haven't yet considered hiring a dev who specializes in UI - luckily we have just the candidate right here in this forum

That is why I said they should hire someone with knowledge and interest in the specific area that needs fixing, as I would assume most existing devs would be audio focused. @Reason Studios - NoiseCrime says he'll do it! @NoiseCrime - I hope you don't mind me trying to get you a job at Reason Studio...

Some of you guys have a very limited idea of what a DAW is supposed to be It's like in your minds there's this Platonic archetype of the Perfect DAW, and it has a list of 100 specific features that you can name, and every DAW is judged according to how close it comes to the archetype 95/100 feature...

Serious DAW features attract professional, serious musicans. In the end you only need one synth, a delay and a reverb to make good music. A DAW is more some kind of an organizer for arranging tracks - this part needs investment now, because its indeed a gold mine. They just need to add some basic D...

Hello all, I was wondering if any of you might be familiar with Focusrite's Scarlett MixControl software? I use a Focusrite 1st gen 8i6, and have two basic questions about using the loopback feature: 1. I want to use loopback to route audio from one of my hardware inputs to other software on my mach...

While adding sequencer features definitely wouldn't hurt, it would be delusional for any Reason user to expect that there will be some kind of "catch-up" to other DAWs. Not happening. Instead, what should happen is having Reason integrated into some kind of hardware platform. Whether it's the devel...

This came out like four years ago but I only came across it earlier this year and have not stopped listening to it:

Not that I have a man card; mine was taken away by the International Man Card Association long ago after publicly admitting that I like ABBA. I suck at rugby. I was never admitted I'm French-Canadian, and while my grandparents didn't speak English at all, ABBA was my grandfather's longtime favourit...

That said I LOVE Reason for music creation more than any other DAW, I don’t even have a second choice (haven’t spent enough time with all DAWs to guess where I’d land if Reason suddenly disappeared tomorrow). I 100% agree btw - I started on FL way back in the day, have an Ableton License and now Pr...

For more "serious" audio editing functionality I've switched over to Pro Tools, but I still think nothing beats Reason for ease of use, stability, sound design, and sheer fun and joy of tinkering, etc. How did you ever get any ‘serious’ audio editing done in Reason? You can’t draw the waveform (for...

I personally am really not enthusiastic about a version 13 at all - I still think version 12 users deserve some long-needed QoL improvements and other DAW-centric improvements before I can feel like I've been given good value for my money. While Reason 12 obviously did bring lots to write home about...

I'd love to be able to add comments in the sequencer window! I know there are rack extensions that allow you to do this but this is just not ideal and only serves as unnecessary clutter in the rack (though that frankly doesn't stop me from using them). This would easily allow you to append the kind...

I hope you solve your problem. I often name tracks after the patch for this very reason. It has saved my a** more than once. I'd love to see Reason add the capability to append meta data to a track, so we can avoid polluting the track name with other data. Add in some additional QoL features to add...

Reason 11 is still a lot faster opening and loading plugins and it gives me lower latency. Same is true on both macOS and Windows. I like some of the new features and addition of VST3 is nice though

So some information to help: I've attached a screenshot with an example combinator with two factory sound bank Dr. OctoRexes. The first one with 16 slices, the second one with 11. These play their slices contiguously on the keyboard, starting at C1 Dr OctoRex plays slices back from C1 on the keyboa...